|
|
J. A. Burrow, Gestures and Looks in Medieval Narrative. Cambridge Studies in Medieval Literature 48 |
127 |
MÆ 76.1 (2007), 126-127 |
DOI:10.2307/43632306 |
|
|
|
Terry Jones, Robert Yeager, Terry Dolan, Alan Fletcher, and Juliette Dor, Who Murdered Chaucer? A Medieval Mystery |
132 |
MÆ 76.1 (2007), 130-132 |
DOI:10.2307/43632310 |
|
|
|
Denis Renevey, Language, Self and Love: Hermeneutics in the Writings of Richard Rolle and the Commentaries on the Song of Songs |
139 |
MÆ 76.1 (2007), 138-139 |
DOI:10.2307/43632316 |
|
|
|
Sister Anna Maria Reynolds, CP, and Julia Bolton Holloway (eds), Julian of Norwich: ‘Showing of Love’: Extant Texts and Translation |
139 |
MÆ 72.1 (2003), 138-139 |
DOI:10.2307/43630658 |
|
|
|
Chaucer and the Tradition of the 'Roman Antique', Cambridge Studies in Medieval Literature 15, by Barbara Nolan |
137 |
MÆ 63.1 (1994), 136-137 |
DOI:10.2307/43629635 |
|
|
|
The Making of 'Piers Plowman', by Malcolm Godden |
121 |
MÆ 61.1 (1992), 120-121 |
DOI:10.2307/43632187 |
|
|
|
The Latin Versions of 'The Cloud of Unknowing', Vol. 1: 'Nubes Ignorandi': MS. Bodley 856, (Salzburg: Institüt fur Anglistik und Amerikanistik, Universität Salzburg, 1989), by John Clark |
123 |
MÆ 61.1 (1992), 123-123 |
DOI:10.2307/43632189 |
|
|
|
Eighteenth Century Modernizations from 'The Canterbury Tales', Chaucer Studies, 16, by Betsy Bowden |
364 |
MÆ 61.2 (1992), 363-364 |
DOI:10.2307/43629487 |
|
|
|
Chaucer's Troilus and Criseyde: a Critical Study, by Ian Bishop |
134 |
MÆ 52.1 (1983), 132-134 |
DOI:10.2307/43628697 |
|
|
|
O Love, O Charite! Contraries Harmonized in Chaucer's 'Troilus', by Donald W. Rowe |
158 |
MÆ 47.1 (1978), 156-158 |
DOI:10.2307/43628345 |
|
|
|
The Structure of Chaucer's Troilus and Criseyde. (Anglistica XX), by William Provost |
179 |
MÆ 44.1 (1975), 178-179 |
DOI:10.2307/43628113 |
|