Roger M. Walker
Roger M. Walker
|
A REAPPRAISAL OF THE CLOSING SCENES OF THE "POEMA DE MIO CID" I: THE "RIEPTOS" |
16 | MÆ 58.1 (1989), 1-16 | DOI:10.2307/43632508 | ||
|
A REAPPRAISAL OF THE CLOSING SCENES OF THE "POEMA DE MIO CID" II: THE DUELS |
205 | MÆ 58.2 (1989), 189-205 | DOI:10.2307/43629251 | ||
|
MONEY, MARRIAGE AND THE LAW IN THE "POEMA DE MIO CID" |
212 | MÆ 51.2 (1982), 197-212 | DOI:10.2307/43628650 | ||
| FROM FRENCH VERSE TO SPANISH PROSE: "LA CHANSON DE FLORENCE DE ROME" AND "EL CUENTO DEL ENPERADOR OTAS DE ROMA" | 243 | MÆ 49.2 (1980), 230-243 | DOI:10.2307/43628557 | ||
| 'POTEST ALIQUIS GUSTARE QUOD GUSTATUM AFFERT MORTEM?' (JOB vi 6): AN ASPECT OF IMAGERY AND STRUCTURE IN "LA DANZA GENERAL DE LA MUERTE" | 38 | MÆ 41.1 (1972), 32-38 | DOI:10.2307/43627780 |
| Diego de San Pedro, (Twayne's World Authors Series 310), by Keith Whinnom | 356 | MÆ 46.2 (1977), 353-356 | DOI:10.2307/43628305 | ||
| Poesia del duecento nella penisola iberica: Problemi della lirica galego-portoghese. (Officina Romanica 12), by Giuseppe Tavani | 195 | MÆ 40.2 (1971), 193-195 | DOI:10.2307/43627733 |