RICHARD GAMESON
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Sonja Drimmer, The Art of Allusion. Illuminators and the Making of English Literature, 1403–1476 |
89.2 (2020), 400-401 | |||
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Ben Snook, The Anglo-Saxon Chancery: The History, Language and Production of Anglo-Saxon Charters from Alfred to Edgar |
86.1 (2017), 160- | DOI:10.2307/26396509 | ||
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Ralph Hanna, Editing Medieval Texts: An Introduction, Using Exemplary Materials Derived from Richard Rolle ‘Super Canticum’ 4 |
86.1 (2017), 165- | DOI:10.2307/26396512 | ||
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A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges IV.1. The British Isles: Insular and Anglo-Saxon Manuscripts, ed. Nigel Morgan and Stella Panayotova with the assistance of Rebecca Rushforth |
84.1 (2015), 137- | |||
| Peter Darby, Bede and the End of Time | 83.1 (2014), 135- | DOI:10.2307/43633063 | ||
| Matthew Fisher, Scribal Authorship and the Writing of History in Medieval England | 83.2 (2014), 315- | |||
| Catherine E. Karkov, The Art of Anglo-Saxon England | 82.2 (2013), 326- | DOI:10.2307/43633022 | ||
| Donald Scragg, A Conspectus of Scribal Hands Writing English, 960-1100 | 82.2 (2013), 331- | DOI:10.2307/43633025 | ||
| Vicky Gunn, Bede’s Historiae: Genre, Rhetoric and the Construction of Anglo-Saxon Church History | 79.1 (2010), 154-156 | DOI:10.2307/43632411 | ||
| Andrea Worm, Das Pariser Perikopenbuch und die Anfänge der romanischen Buchmalerei an Rhein und Weser | 78.1 (2009), 124-125 | DOI:10.2307/43632803 | ||
| Susan D. Thompson, Anglo-Saxon Royal Diplomas: A Palaeography | 78.2 (2009), 331-332 | DOI:10.2307/43632849 |