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Articles
ROGER PENSOM THIBAUT DE CHAMPAGNE AND THE ART OF THE TROUVERE 57.1 (1988), 1-26 DOI:10.2307/43631418
James W. Kirkland, Charles E. Modlin

THE ART OF "AZARIAS"

41.1 (1972), 9-15 DOI:10.2307/43627776
James W. Kirkland, Charles E. Modlin

THE ART OF "AZARIAS"

41.1 (1972), 9-15 DOI:10.2307/43627776
Ian Bishop THE NARRATIVE ART OF THE "PARDONER'S TALE" 36.1 (1967), 15-24 DOI:10.2307/43627309
Jane H.M. Taylor Inescapable rose: Jean le Seneschal's Cent Balades and the art of cheerful paradox 67.1 (1998), 60-84 DOI:10.2307/43629959
ROY J. PEARCY "CONNEBERT" AND BRANCH I OF "LE ROMAN DE REN ART": THE GENESIS OF A FABLIAU 59.1 (1990), 73-90 DOI:10.2307/43629285
Barbara C. Raw "THE DREAM OF THE ROOD" AND ITS CONNECTONS WITH EARLY CHRISTIAN ART 39.3 (1970), 239-256 DOI:10.2307/43631543
SHIRLEY LUKITSCH THE POETICS OF THE "PROLOGUE": MACHAUT'S CONCEPTION OF THE PURPOSE OF HIS ART 52.2 (1983), 258-271 DOI:10.2307/43628738
Reviews
J.K. Bostock Wolframs Religiosität: Beobachtungen über das Verhältnis Wolframs von Eschenbach zur religiösen Tradition des Mittelalters. Abhandlungen zur Kunst-, Musik- und Literaturwissenschaft Band 7, by H. J. Koppitz 29.1 (1960), 36-38 DOI:10.2307/43626844
Peter Dronke Andreas Capellanus: seine Minnelehre und das christliche Weltbild um 1200, (Abhandlungen zur Kunst-, Musik-und Literaturwissenschaft Band 15), by Felix Schlösser 32.1 (1963), 56-60 DOI:10.2307/43627021
T.S.R. Boase Art and the Reformation. 2nd edition, by G. C. Coulton 23.1 (1954), 58-60 DOI:10.2307/43626532
W.O. Hassall Neizvestny Pamyatnik Knizhnogo iskusstva 33.1 (1964), 77-78 DOI:10.2307/43627079
Helen Phillips The Saint Play in Medieval Europe, Early Drama, Art, and Music Monograph Series, 8, by Clifford Davidson 57.1 (1988), 87-88 DOI:10.2307/43631432
Cecily Clark Art and Tradition in Sir Gawain and the Green Knight, by Larry D. Benson 36.1 (1967), 89-92 DOI:10.2307/43627328
J.J.G. Alexander Reichenau Reconsidered. A re-assessment of the place of Reichenau in Ottonian Art, (Warburg Institute Surveys, II), by C. R. Dodwell, D. H. Turner 37.1 (1968), 100-102 DOI:10.2307/43627411
W.O. Hassall Images in the Margins of Gothic Manuscripts. California Studies in the History of Art iv, by Lilian M. C. Randall 37.1 (1968), 102-104 DOI:10.2307/43627412
R.F.S. Hamer The Art and Background of Old English Poetry, by Barbara C. Raw, Edward Arnold 49.1 (1980), 103-104 DOI:10.2307/43628515
Walter Oakeshott The Mediaeval Artist at Work, by V. W. Egbert 38.1 (1969), 110-111 DOI:10.2307/43627526
Éamonn Ó Carragáin Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival, Cambridge Studies in Anglo-Saxon England, 1, by Barbara Raw 61.1 (1992), 116-117 DOI:10.2307/43632183
Peter N. Dunn The Art of Juan Ruiz, Archpriest of Hita, Estudios de Literatura, by Anthony N. Zahareas 37.1 (1968), 117-120 DOI:10.2307/43627420
Helen C.R. Laurie L'Art d'Amours: Traduction et Commentaire de l''Ars amatoria' d'Ovide, by Bruno Roy 45.1 (1976), 119-120 DOI:10.2307/43628181
Lesley Smith Jeffrey F. Hamburger, Nuns as Artists: The Visual Culture of a Medieval Convent 67.1 (1998), 120-121 DOI:10.2307/43629968
Peter S. Noble Matthew of Vendôme: 'The Art of Versification', by Aubrey E. Galyon 51.1 (1982), 122-122 DOI:10.2307/43632134
Daniel Wakelin Liam O. Purdon, The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding 73.1 (2004), 126-127 DOI:10.2307/43630715
Anne Hudson A Tretise of Miraclis Pleyinge, Western Michigan University, Early Drama, Art, and Music Monograph Series 19, by Clifford Davidson 64.1 (1995), 130-131 DOI:10.2307/43629695
JANE STEVENSON Andy Orchard, The Poetic Art of Aldhelm, Cambridge Studies in Anglo-Saxon England 8 66.1 (1997), 130-131 DOI:10.2307/43629919
Richard Beadle Illustrations of the Stage and Acting in England to 1580, Western Michigan University, Early Drama, Art and Music Monograph Series 16, by Clifford Davidson 64.1 (1995), 132-133 DOI:10.2307/43629697
KAREN PRATT Douglas Kelly, The Art of Medieval French Romance 67.1 (1998), 142-143 DOI:10.2307/43629985
Nigel Palmer Joan A. Holladay, Illuminating the Epic: The Kassel 'Willehalm' Codex and the Landgraves of Hesse in the Early Fourteenth Century, College Art Association Monograph on the Fine Arts 54 68.1 (1999), 152-153 DOI:10.2307/43630165
ROGER PENSOM Francis Dubost, Le Conte du Graal ou l'art de faire signe, Unichamp 71 69.1 (2000), 152-153 DOI:10.2307/43631524
Thomas Hinton Géraldine Toniutti, Pour une poetique de l’implication: Cristal et Clarie ou l’art de faire du neuf avec de l’ancien 85.1 (2016), 157- DOI:10.2307/26396484
SYLVIA WRIGHT The Gothic Idol: Ideology and Image-Making in Medieval Art, by Michael Camille 61.1 (1992), 157-158 DOI:10.2307/43632218
Nicholas Bleisch Yolanda Plumley, The Art of Grafted Song: Citation and Allusion in the Age of Machaut 85.1 (2016), 159- DOI:10.2307/26396486
Alastair Minnis

John O. Ward, Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400–1300, with Manuscript Survey to 1500 CE

89.1 (2020), 161-162 pdf
Anna Dlaba?ová Joost van Driel, Meesters van het woord. Middelnederlandse schrijvers en hun kunst 82.1 (2013), 164- DOI:10.2307/43633000 pdf
J. Fraser Arthurian Legends in Medieval Art. Part II, by Roger Sherman Loomis, Laura Hibbard Loomis 8.2 (1939), 167-169 DOI:10.2307/43626148
John Stevens Medieval Music, the Sixth Liberal Art. (Toronto Medieval Bibliographies 4), by Andrew Hughes 48.1 (1979), 168-169 DOI:10.2307/43628449
Brian S. Merrilees Nine Verse Sermons by Nicholas Bozon: the Art of an Anglo-Norman Poet and Preacher, Medium Ævum Monographs, New Series, 11, by Brian J. Levy 52.1 (1983), 169-170 DOI:10.2307/43628719
Sylvia Huot

Jonathan Morton, The ‘Roman de la rose’ in its Philosophical Context: Art, Nature, and Ethics

88.1 (2019), 170- pdf
J.A.W. Bennett Irish Art in the Early Christian Period (to 800 A.D.), by Françoise Henry 35.2 (1966), 177-178 DOI:10.2307/43627277
W.O. Hassall The Horned Moses in Medieval Art and Thought, by Ruth Mellinkoff 41.2 (1972), 178-180 DOI:10.2307/43627829
Peggy McCracken

Marion Uhlig, Le Prince des clercs: Barlaam et Josaphat ou l’art du recueil

89.1 (2020), 178-179 pdf
Morton W. Bloomfield Chaucer and the Making of English Poetry, Vol. I, Love Vision and Debate; Vol. II, The Art of Narrative, by P. M. Kean 43.2 (1974), 193-195 DOI:10.2307/43628017
W.O. Hassall Le Juif médiéval au miroir de l'art chrétien, by Bernhard Blumenkranz 36.2 (1967), 209-210 DOI:10.2307/43627361
Alfred Ewert L'Art du moyen âge (Arts plastiques. Art littéraire) et la Civilisation française (avec 2 cartes et 20 planches hors texte), by Louis Réau, Gustave Cohen 6.3 (1937), 227-227 DOI:10.2307/43626055
Alfred Ewert La Formation du Génie moderne dans l'Art de l'Occident (Arts plastiques. Art Littéraire). (Avec 20 planches hors texte), by René Schneider, Gustave Cohen 6.3 (1937), 227-227 DOI:10.2307/43626055
Bernd Naumann Kunst und Glaube in der lateinischen Heiligenlegende. (Medium Aevum Philologische Studien 12), by Gerhard Strunk 40.3 (1971), 269-271 DOI:10.2307/43627753
A.V.C. Schmidt Art and Beauty in the Middle Ages, by Umberto Eco, Hugh Bredin 57.2 (1988), 291-292 DOI:10.2307/43629216
RICHARD DAVID WISSOLIK The Narrative Art of the Bayeux Tapestry Master, AMS Studies in the Middle Ages, 13, by J. Bard McNulty 59.2 (1990), 293-294 DOI:10.2307/43629338
D.J.A. MATTHEW The 'Things of Greater Importance': Bernard of Clairvaux's 'Apologia' and the Medieval Attitude toward Art, by C. Rudolph 61.2 (1992), 303-306 DOI:10.2307/43629438
Jeffrey Hamburger Rowan Watson, Victoria and Albert Museum: Western Illuminated Manuscripts. A Catalogue of Works in the National Art Library from the Eleventh to the Early Twentieth Century, with a Complete Account of the George Reid Collection 83.2 (2014), 306- pdf
BELLA MILLETT Susan L. Smith, The Power of Women: A 'Topos' in Medieval Art and Literature 66.2 (1997), 307-307 DOI:10.2307/43630073
Barbara C. Raw The Role of Art in the Late Anglo-Saxon Church, by Richard Gameson 65.2 (1996), 309-310 DOI:10.2307/43629866
Lesley Smith Loveday Lewes Gee, Women, Art and Patronage from Henry II to Edward III 1216-1377 72.2 (2003), 309-310 DOI:10.2307/43630502
R.W.V. Elliott The Art of the Gawain-Poet, by W. A. Davenport 48.2 (1979), 312-316 DOI:10.2307/43631402
Éamonn Ó Carragáin The Ruthwell Cross: Papers from the Colloquium sponsored by the Index of Christian Art, Princeton University, 8 December 1989, Index of Christian Art, Occasional Papers I, by Brendan Cassidy 63.2 (1994), 317-319 DOI:10.2307/43629746
J.A. Miller The Artist at Work: Narrative Technique in Chrétien de Troyes, Transactions of the American Philosophical Society, 78:4, by Evelyn Mullally 59.2 (1990), 321-322 DOI:10.2307/43629360
Lesley Smith Jeff Rider, God’s Scribe: The Historiographical Art of Galbert of Bruges 71.2 (2002), 322-322 DOI:10.2307/43630451
David Hook The Poet's Art: Literary Theory in Castile c. 1400-60, Medium Ævum Monographs, n.s. 14, by Julian Weiss 60.2 (1991), 322-324 DOI:10.2307/43632601
JOHN C. HIRSH Kathleen Kamerick, Popular Piety and Art in the Later Middle Ages: Image Worship and Idolatry in England, 1350-1500, The New Middle Ages 72.2 (2003), 324-325 DOI:10.2307/43630514
ROGER PENSOM L'Art métrique de la chanson de geste: Essai sur la musicalité du récit, by Edward A. Heinemann 64.2 (1995), 325-326 DOI:10.2307/43633125
RICHARD GAMESON Catherine E. Karkov, The Art of Anglo-Saxon England 82.2 (2013), 326- DOI:10.2307/43633022 pdf
Dennis Green Jeffrey H. Hamburger, Carola Jäggi, Susan Marti, and Hedwig Röckelein (eds.), Frauen - Kloster - Kunst. Neue Forschungen Zur Kulturgeschichte des Mittelalters. Beiträge zum Internationalen Kolloquium vom 13. bis 16. Mai 2005 anlässlich der Ausstellung 'Krone und Schleier' 77.2 (2008), 327-328 DOI:10.2307/43632350
Barbara C. Raw Anglo-Saxon Animal Art and its Germanic Background, by George Speake 50.2 (1981), 327-328 DOI:10.2307/43628628
JANE TOLMIE Pamela M. King and Clifford Davidson (eds), The Coventry Corpus Christi Plays, Early Drama, Art and Music Monograph Series 27 70.2 (2001), 330-331 DOI:10.2307/43632701
JOHN C. HIRSH Mary Clemente Davlin, OP, The Place of God in 'Piers Plowman' and Medieval Art (Aldershot: Ashgate, 2001) 71.2 (2002), 330-331 DOI:10.2307/43630459
Meg Twycross York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor 49.2 (1980), 332-336 DOI:10.2307/43628593
CATHERINE SANOK Anne B. Thompson, Everyday Saints and the Art of Narrative in the South English Legendary 73.2 (2004), 333-334 DOI:10.2307/43630567
FAYE GETZ L. M. Eldredge (ed.), Benvenutus Grassus; The Wonderful Art of the Eye: A Critical Edition of the Middle English Translation of his 'De probatissima arte oculorum' 67.2 (1998), 333-334 DOI:10.2307/43630037
Luke Sunderland Bénédicte Milland-Bove, La Demoiselle arthurienne: Écriture du personnage et art du récit dans les romans en prose du XIIIe siècle, Nouvelle Bibliothèque du Moyen Âge 79 76.2 (2007), 337-337 DOI:10.2307/43633201
JILLIAN HILL The Art of Love: Amatory Fiction from Ovid to the 'Romance of the Rose', by Peter L. Allen 63.2 (1994), 341-342 DOI:10.2307/43629765
PETER KIDD Lilian M. C. Randall, with Judith H. Oliver, Christopher Clarkson, and Claudia Mark, Medieval and Renaissance Manuscripts in the Walters Art Gallery, III: Belgium, 1250—1530, parts 1-2 69.2 (2000), 344-345 DOI:10.2307/43630332
Angus J. Kennedy Two Late Medieval Love Treatises: Heloise's ‘Art d'amour’ and a Collection of Demandes d'Amour. Edited with Introduction, Notes and Glossary from British Library Royal MS 16 F 11, Medium Ævum Monographs, n.s. 16, by Leslie C. Brook 63.2 (1994), 344-346 DOI:10.2307/43629768
ROBERTA KRUEGER Anne Marie de Gendt, L’Art d’éduquer les nobles damoiselles: ‘Le Livre du Chevalier de la Tour Landry’ 72.2 (2003), 345-346 DOI:10.2307/43630531
Matthew Thomson

Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Matthew Thomson)

85.2 (2016), 351- pdf
Jane H.M. Taylor Catherine M. Jones, Philippe de Vigneulles and the Art of Prose Translation 77.2 (2008), 357-358 DOI:10.2307/43632372
MARTIN KAUFFMANN The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland circa 1300, by Jeffrey F. Hamburger 61.2 (1992), 357-358 DOI:10.2307/43629483
Jeffrey Hamburger

Diane J. Reilly, The Cistercian Reform and the Art of the Book in Twelfth-Century France

88.2 (2019), 396-397 pdf
RICHARD GAMESON

Sonja Drimmer, The Art of Allusion. Illuminators and the Making of English Literature, 1403–1476

89.2 (2020), 400-401 pdf
Natalija Ganina

Anglo-Saxon Kingdoms: Art, Word, War, ed. Claire Breay and Joanna Story

88.2 (2019), 405-406 pdf
Editions
Huw Grange La Vie seint Edmund le rei by Denis Piramus, ed. D. W. Russell with an art-historical excursus by Kathryn A. Smith 85.1 (2016), 170- DOI:10.2307/26396490
Shorter Notices
Jane H.M. Taylor

Nancy Freeman Regalado, L’Art poétique de François Villon: ‘effet de réel’

89.1 (2020), 204-205 pdf
Nigel Palmer

Laura Slater, Art and Political Thought in Medieval England, c.1150–1359

88.1 (2019), 205-206 pdf
Jeffrey Hamburger

Manuscripts in the Making: Art & Science II, ed. Stella Panayotova and Paola Ricciardi

88.2 (2019), 434-434 pdf
Review Articles
M.M. Badawi On the Art of Medieval Arabic Literature, by Andras Hamori 46.2 (1977), 259-263 DOI:10.2307/43628274

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