J.K. Bostock |
Wolframs Religiosität: Beobachtungen über das Verhältnis Wolframs von Eschenbach zur religiösen Tradition des Mittelalters. Abhandlungen zur Kunst-, Musik- und Literaturwissenschaft Band 7, by H. J. Koppitz |
29.1 (1960), 36-38 |
DOI:10.2307/43626844 |
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Peter Dronke |
Andreas Capellanus: seine Minnelehre und das christliche Weltbild um 1200, (Abhandlungen zur Kunst-, Musik-und Literaturwissenschaft Band 15), by Felix Schlösser |
32.1 (1963), 56-60 |
DOI:10.2307/43627021 |
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Carolingian Art Painting and Sculpture in Western Europe A.D. 800-900, by Roger Hinks |
5.1 (1936), 57-59 |
DOI:10.2307/43631085 |
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T.S.R. Boase |
Art and the Reformation. 2nd edition, by G. C. Coulton |
23.1 (1954), 58-60 |
DOI:10.2307/43626532 |
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W.O. Hassall |
Neizvestny Pamyatnik Knizhnogo iskusstva |
33.1 (1964), 77-78 |
DOI:10.2307/43627079 |
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Helen Phillips |
The Saint Play in Medieval Europe, Early Drama, Art, and Music Monograph Series, 8, by Clifford Davidson |
57.1 (1988), 87-88 |
DOI:10.2307/43631432 |
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Cecily Clark |
Art and Tradition in Sir Gawain and the Green Knight, by Larry D. Benson |
36.1 (1967), 89-92 |
DOI:10.2307/43627328 |
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J.J.G. Alexander |
Reichenau Reconsidered. A re-assessment of the place of Reichenau in Ottonian Art, (Warburg Institute Surveys, II), by C. R. Dodwell, D. H. Turner |
37.1 (1968), 100-102 |
DOI:10.2307/43627411 |
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W.O. Hassall |
Images in the Margins of Gothic Manuscripts. California Studies in the History of Art iv, by Lilian M. C. Randall |
37.1 (1968), 102-104 |
DOI:10.2307/43627412 |
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R.F.S. Hamer |
The Art and Background of Old English Poetry, by Barbara C. Raw, Edward Arnold |
49.1 (1980), 103-104 |
DOI:10.2307/43628515 |
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Walter Oakeshott |
The Mediaeval Artist at Work, by V. W. Egbert |
38.1 (1969), 110-111 |
DOI:10.2307/43627526 |
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Éamonn Ó Carragáin |
Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival, Cambridge Studies in Anglo-Saxon England, 1, by Barbara Raw |
61.1 (1992), 116-117 |
DOI:10.2307/43632183 |
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Peter N. Dunn |
The Art of Juan Ruiz, Archpriest of Hita, Estudios de Literatura, by Anthony N. Zahareas |
37.1 (1968), 117-120 |
DOI:10.2307/43627420 |
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Helen C.R. Laurie |
L'Art d'Amours: Traduction et Commentaire de l''Ars amatoria' d'Ovide, by Bruno Roy |
45.1 (1976), 119-120 |
DOI:10.2307/43628181 |
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Lesley Smith |
Jeffrey F. Hamburger, Nuns as Artists: The Visual Culture of a Medieval Convent |
67.1 (1998), 120-121 |
DOI:10.2307/43629968 |
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Peter S. Noble |
Matthew of Vendôme: 'The Art of Versification', by Aubrey E. Galyon |
51.1 (1982), 122-122 |
DOI:10.2307/43632134 |
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Daniel Wakelin |
Liam O. Purdon, The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding |
73.1 (2004), 126-127 |
DOI:10.2307/43630715 |
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Anne Hudson |
A Tretise of Miraclis Pleyinge, Western Michigan University, Early Drama, Art, and Music Monograph Series 19, by Clifford Davidson |
64.1 (1995), 130-131 |
DOI:10.2307/43629695 |
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JANE STEVENSON |
Andy Orchard, The Poetic Art of Aldhelm, Cambridge Studies in Anglo-Saxon England 8 |
66.1 (1997), 130-131 |
DOI:10.2307/43629919 |
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Richard Beadle |
Illustrations of the Stage and Acting in England to 1580, Western Michigan University, Early Drama, Art and Music Monograph Series 16, by Clifford Davidson |
64.1 (1995), 132-133 |
DOI:10.2307/43629697 |
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KAREN PRATT |
Douglas Kelly, The Art of Medieval French Romance |
67.1 (1998), 142-143 |
DOI:10.2307/43629985 |
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Nigel Palmer |
Joan A. Holladay, Illuminating the Epic: The Kassel 'Willehalm' Codex and the Landgraves of Hesse in the Early Fourteenth Century, College Art Association Monograph on the Fine Arts 54 |
68.1 (1999), 152-153 |
DOI:10.2307/43630165 |
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ROGER PENSOM |
Francis Dubost, Le Conte du Graal ou l'art de faire signe, Unichamp 71 |
69.1 (2000), 152-153 |
DOI:10.2307/43631524 |
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Thomas Hinton |
Géraldine Toniutti, Pour une poetique de l’implication: Cristal et Clarie ou l’art de faire du neuf avec de l’ancien |
85.1 (2016), 157- |
DOI:10.2307/26396484 |
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SYLVIA WRIGHT |
The Gothic Idol: Ideology and Image-Making in Medieval Art, by Michael Camille |
61.1 (1992), 157-158 |
DOI:10.2307/43632218 |
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Nicholas Bleisch |
Yolanda Plumley, The Art of Grafted Song: Citation and Allusion in the Age of Machaut |
85.1 (2016), 159- |
DOI:10.2307/26396486 |
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Alastair Minnis |
John O. Ward, Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400–1300, with Manuscript Survey to 1500 CE
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89.1 (2020), 161-162 |
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Anna Dlaba?ová |
Joost van Driel, Meesters van het woord. Middelnederlandse schrijvers en hun kunst |
82.1 (2013), 164- |
DOI:10.2307/43633000 |
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J. Fraser |
Arthurian Legends in Medieval Art. Part II, by Roger Sherman Loomis, Laura Hibbard Loomis |
8.2 (1939), 167-169 |
DOI:10.2307/43626148 |
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John Stevens |
Medieval Music, the Sixth Liberal Art. (Toronto Medieval Bibliographies 4), by Andrew Hughes |
48.1 (1979), 168-169 |
DOI:10.2307/43628449 |
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Brian S. Merrilees |
Nine Verse Sermons by Nicholas Bozon: the Art of an Anglo-Norman Poet and Preacher, Medium Ævum Monographs, New Series, 11, by Brian J. Levy |
52.1 (1983), 169-170 |
DOI:10.2307/43628719 |
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Sylvia Huot |
Jonathan Morton, The ‘Roman de la rose’ in its Philosophical Context: Art, Nature, and Ethics
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88.1 (2019), 170- |
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J.A.W. Bennett |
Irish Art in the Early Christian Period (to 800 A.D.), by Françoise Henry |
35.2 (1966), 177-178 |
DOI:10.2307/43627277 |
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W.O. Hassall |
The Horned Moses in Medieval Art and Thought, by Ruth Mellinkoff |
41.2 (1972), 178-180 |
DOI:10.2307/43627829 |
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Peggy McCracken |
Marion Uhlig, Le Prince des clercs: Barlaam et Josaphat ou l’art du recueil
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89.1 (2020), 178-179 |
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Morton W. Bloomfield |
Chaucer and the Making of English Poetry, Vol. I, Love Vision and Debate; Vol. II, The Art of Narrative, by P. M. Kean |
43.2 (1974), 193-195 |
DOI:10.2307/43628017 |
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W.O. Hassall |
Le Juif médiéval au miroir de l'art chrétien, by Bernhard Blumenkranz |
36.2 (1967), 209-210 |
DOI:10.2307/43627361 |
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Alfred Ewert |
L'Art du moyen âge (Arts plastiques. Art littéraire) et la Civilisation française (avec 2 cartes et 20 planches hors texte), by Louis Réau, Gustave Cohen |
6.3 (1937), 227-227 |
DOI:10.2307/43626055 |
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Alfred Ewert |
La Formation du Génie moderne dans l'Art de l'Occident (Arts plastiques. Art Littéraire). (Avec 20 planches hors texte), by René Schneider, Gustave Cohen |
6.3 (1937), 227-227 |
DOI:10.2307/43626055 |
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Bernd Naumann |
Kunst und Glaube in der lateinischen Heiligenlegende. (Medium Aevum Philologische Studien 12), by Gerhard Strunk |
40.3 (1971), 269-271 |
DOI:10.2307/43627753 |
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A.V.C. Schmidt |
Art and Beauty in the Middle Ages, by Umberto Eco, Hugh Bredin |
57.2 (1988), 291-292 |
DOI:10.2307/43629216 |
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RICHARD DAVID WISSOLIK |
The Narrative Art of the Bayeux Tapestry Master, AMS Studies in the Middle Ages, 13, by J. Bard McNulty |
59.2 (1990), 293-294 |
DOI:10.2307/43629338 |
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D.J.A. MATTHEW |
The 'Things of Greater Importance': Bernard of Clairvaux's 'Apologia' and the Medieval Attitude toward Art, by C. Rudolph |
61.2 (1992), 303-306 |
DOI:10.2307/43629438 |
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Jeffrey Hamburger |
Rowan Watson, Victoria and Albert Museum: Western Illuminated Manuscripts. A Catalogue of Works in the National Art Library from the Eleventh to the Early Twentieth Century, with a Complete Account of the George Reid Collection |
83.2 (2014), 306- |
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BELLA MILLETT |
Susan L. Smith, The Power of Women: A 'Topos' in Medieval Art and Literature |
66.2 (1997), 307-307 |
DOI:10.2307/43630073 |
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Barbara C. Raw |
The Role of Art in the Late Anglo-Saxon Church, by Richard Gameson |
65.2 (1996), 309-310 |
DOI:10.2307/43629866 |
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Lesley Smith |
Loveday Lewes Gee, Women, Art and Patronage from Henry II to Edward III 1216-1377 |
72.2 (2003), 309-310 |
DOI:10.2307/43630502 |
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R.W.V. Elliott |
The Art of the Gawain-Poet, by W. A. Davenport |
48.2 (1979), 312-316 |
DOI:10.2307/43631402 |
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Éamonn Ó Carragáin |
The Ruthwell Cross: Papers from the Colloquium sponsored by the Index of Christian Art, Princeton University, 8 December 1989, Index of Christian Art, Occasional Papers I, by Brendan Cassidy |
63.2 (1994), 317-319 |
DOI:10.2307/43629746 |
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J.A. Miller |
The Artist at Work: Narrative Technique in Chrétien de Troyes, Transactions of the American Philosophical Society, 78:4, by Evelyn Mullally |
59.2 (1990), 321-322 |
DOI:10.2307/43629360 |
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Lesley Smith |
Jeff Rider, God’s Scribe: The Historiographical Art of Galbert of Bruges |
71.2 (2002), 322-322 |
DOI:10.2307/43630451 |
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David Hook |
The Poet's Art: Literary Theory in Castile c. 1400-60, Medium Ævum Monographs, n.s. 14, by Julian Weiss |
60.2 (1991), 322-324 |
DOI:10.2307/43632601 |
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JOHN C. HIRSH |
Kathleen Kamerick, Popular Piety and Art in the Later Middle Ages: Image Worship and Idolatry in England, 1350-1500, The New Middle Ages |
72.2 (2003), 324-325 |
DOI:10.2307/43630514 |
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ROGER PENSOM |
L'Art métrique de la chanson de geste: Essai sur la musicalité du récit, by Edward A. Heinemann |
64.2 (1995), 325-326 |
DOI:10.2307/43633125 |
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RICHARD GAMESON |
Catherine E. Karkov, The Art of Anglo-Saxon England |
82.2 (2013), 326- |
DOI:10.2307/43633022 |
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Barbara C. Raw |
Anglo-Saxon Animal Art and its Germanic Background, by George Speake |
50.2 (1981), 327-328 |
DOI:10.2307/43628628 |
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Dennis Green |
Jeffrey H. Hamburger, Carola Jäggi, Susan Marti, and Hedwig Röckelein (eds.), Frauen - Kloster - Kunst. Neue Forschungen Zur Kulturgeschichte des Mittelalters. Beiträge zum Internationalen Kolloquium vom 13. bis 16. Mai 2005 anlässlich der Ausstellung 'Krone und Schleier' |
77.2 (2008), 327-328 |
DOI:10.2307/43632350 |
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JANE TOLMIE |
Pamela M. King and Clifford Davidson (eds), The Coventry Corpus Christi Plays, Early Drama, Art and Music Monograph Series 27 |
70.2 (2001), 330-331 |
DOI:10.2307/43632701 |
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JOHN C. HIRSH |
Mary Clemente Davlin, OP, The Place of God in 'Piers Plowman' and Medieval Art (Aldershot: Ashgate, 2001) |
71.2 (2002), 330-331 |
DOI:10.2307/43630459 |
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Meg Twycross |
York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor |
49.2 (1980), 332-336 |
DOI:10.2307/43628593 |
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FAYE GETZ |
L. M. Eldredge (ed.), Benvenutus Grassus; The Wonderful Art of the Eye: A Critical Edition of the Middle English Translation of his 'De probatissima arte oculorum' |
67.2 (1998), 333-334 |
DOI:10.2307/43630037 |
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CATHERINE SANOK |
Anne B. Thompson, Everyday Saints and the Art of Narrative in the South English Legendary |
73.2 (2004), 333-334 |
DOI:10.2307/43630567 |
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Luke Sunderland |
Bénédicte Milland-Bove, La Demoiselle arthurienne: Écriture du personnage et art du récit dans les romans en prose du XIIIe siècle, Nouvelle Bibliothèque du Moyen Âge 79 |
76.2 (2007), 337-337 |
DOI:10.2307/43633201 |
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Jeffrey Hamburger |
Robert Couzin. Right and Left in Early Christian and Medieval Art |
90.2 (2021), 337- |
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JILLIAN HILL |
The Art of Love: Amatory Fiction from Ovid to the 'Romance of the Rose', by Peter L. Allen |
63.2 (1994), 341-342 |
DOI:10.2307/43629765 |
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PETER KIDD |
Lilian M. C. Randall, with Judith H. Oliver, Christopher Clarkson, and Claudia Mark, Medieval and Renaissance Manuscripts in the Walters Art Gallery, III: Belgium, 1250—1530, parts 1-2 |
69.2 (2000), 344-345 |
DOI:10.2307/43630332 |
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Angus J. Kennedy |
Two Late Medieval Love Treatises: Heloise's ‘Art d'amour’ and a Collection of Demandes d'Amour. Edited with Introduction, Notes and Glossary from British Library Royal MS 16 F 11, Medium Ævum Monographs, n.s. 16, by Leslie C. Brook |
63.2 (1994), 344-346 |
DOI:10.2307/43629768 |
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ROBERTA KRUEGER |
Anne Marie de Gendt, L’Art d’éduquer les nobles damoiselles: ‘Le Livre du Chevalier de la Tour Landry’ |
72.2 (2003), 345-346 |
DOI:10.2307/43630531 |
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Matthew Thomson |
Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Matthew Thomson)
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85.2 (2016), 351- |
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Jane H.M. Taylor |
Catherine M. Jones, Philippe de Vigneulles and the Art of Prose Translation |
77.2 (2008), 357-358 |
DOI:10.2307/43632372 |
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Martin Kauffmann |
The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland circa 1300, by Jeffrey F. Hamburger |
61.2 (1992), 357-358 |
DOI:10.2307/43629483 |
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Jeffrey Hamburger |
Diane J. Reilly, The Cistercian Reform and the Art of the Book in Twelfth-Century France
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88.2 (2019), 396-397 |
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RICHARD GAMESON |
Sonja Drimmer, The Art of Allusion. Illuminators and the Making of English Literature, 1403–1476
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89.2 (2020), 400-401 |
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Natalija Ganina |
Anglo-Saxon Kingdoms: Art, Word, War, ed. Claire Breay and Joanna Story
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88.2 (2019), 405-406 |
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