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Articles
Jane H.M. Taylor, Inescapable rose: Jean le Seneschal's Cent Balades and the art of cheerful paradox Medium Ævum Vol. 67, No. 1 (1998), 60-84 DOI:10.2307/43629959
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ROY J. PEARCY, "CONNEBERT" AND BRANCH I OF "LE ROMAN DE REN ART": THE GENESIS OF A FABLIAU Medium Ævum Vol. 59, No. 1 (1990), 73-90 DOI:10.2307/43629285
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ROGER PENSOM, THIBAUT DE CHAMPAGNE AND THE ART OF THE TROUVERE Medium Ævum Vol. 57, No. 1 (1988), 1-26 DOI:10.2307/43631418
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SHIRLEY LUKITSCH, THE POETICS OF THE "PROLOGUE": MACHAUT'S CONCEPTION OF THE PURPOSE OF HIS ART Medium Ævum Vol. 52, No. 2 (1983), 258-271 DOI:10.2307/43628738
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James W. Kirkland, Charles E. Modlin, THE ART OF "AZARIAS" Medium Ævum Vol. 41, No. 1 (1972), 9-15 DOI:10.2307/43627776
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Barbara C. Raw, "THE DREAM OF THE ROOD" AND ITS CONNECTONS WITH EARLY CHRISTIAN ART Medium Ævum Vol. 39, No. 3 (1970), 239-256 DOI:10.2307/43631543
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Ian Bishop, THE NARRATIVE ART OF THE "PARDONER'S TALE" Medium Ævum Vol. 36, No. 1 (1967), 15-24 DOI:10.2307/43627309
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Editions
The Notory Art of Shorthand (Ars notoria notarie): A Curious Chapter in the History of Writing in the West, introd., ed., and trans. John Haines Medium Ævum Vol. 85, No. 1 (2016), 167 DOI:10.2307/26396490
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La Vie seint Edmund le rei by Denis Piramus, ed. D. W. Russell with an art-historical excursus by Kathryn A. Smith (Huw Grange) Medium Ævum Vol. 85, No. 1 (2016), 170 DOI:10.2307/26396490
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Benvenutus Grassus’ On the Well-Proven Art of the Eye: ‘Practica oculorum’ & ‘De probatissima arte oculorum’. Synoptic Edition and Philological Studies, ed. Antonio Miranda-García and Santiago González Fernández-Corugedo Medium Ævum Vol. 84, No. 2 (2015), 354 pdf DOI:10.2307/26396560
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Shorter Notices
Nancy Freeman Regalado, L’Art poétique de François Villon: ‘effet de réel’ (Jane H.M. Taylor) Medium Ævum Vol. 89, No. 1 (2020), 204-205 pdf
Laura Slater, Art and Political Thought in Medieval England, c.1150–1359 (Nigel Palmer) Medium Ævum Vol. 88, No. 1 (2019), 205-206 pdf
Manuscripts in the Making: Art & Science II, ed. Stella Panayotova and Paola Ricciardi (Jeffrey Hamburger) Medium Ævum Vol. 88, No. 2 (2019), 434-434 pdf
Michelle P. Brown, Art of the Islands: Celtic, Pictish, Anglo-Saxon and Viking Visual Culture c.450–1050 Medium Ævum Vol. 86, No. 1 (2017), 196 DOI:10.2307/26396528
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The Meanings of Nudity in Medieval Art, ed. Sherry C. M. Lindquist Medium Ævum Vol. 86, No. 1 (2017), 197 DOI:10.2307/26396528
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Medieval Art in the Northern Netherlands before van Eyck: New Facts and Features, ed. Anne- Maria J. van Egmond and Claudine A. Chavannes-Mazel, Clavis: Kunsthistorische Monografieën 23 Medium Ævum Vol. 84, No. 2 (2015), 361 DOI:10.2307/26396561
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Pope Alexander III (1159–81): The Art of Survival, ed. Peter D. Clarke and Anne J. Duggan, Church, Faith, and Culture in the Medieval West Medium Ævum Vol. 84, No. 1 (2015), 186
Chanter de geste: L’Art épique et son rayonnement. Hommage à Jean-Claude Vallecalle, ed. Marylène Possamaï-Perez and Jean-René Valette, Colloques, Congrès et Conférences sur le Moyen Âge 15 Medium Ævum Vol. 83, No. 2 (2014), 372
Thresholds of Medieval Visual Culture: Liminal Spaces, ed. Elina Gertsman and Jill Stevenson, Boydell Studies in Medieval Art and Architecture Medium Ævum Vol. 83, No. 1 (2014), 176 DOI:10.2307/43633088
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Shakespeare between the Middle Ages and Modernism: From Translator’s Art to Academic Discourse: A Tribute to Professor Martin Hilský, OBE, ed. Martin Procházka and Jan ?ermák Medium Ævum Vol. 83, No. 1 (2014), 183 DOI:10.2307/43633088
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Review Articles
M.M. Badawi, On the Art of Medieval Arabic Literature, by Andras Hamori (M.M. Badawi) Medium Ævum Vol. 46, No. 2 (1977), 259-263 DOI:10.2307/43628274
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Reviews
John O. Ward, Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400–1300, with Manuscript Survey to 1500 CE (Alastair Minnis) Medium Ævum Vol. 89, No. 1 (2020), 161-162 pdf
Marion Uhlig, Le Prince des clercs: Barlaam et Josaphat ou l’art du recueil (Peggy McCracken) Medium Ævum Vol. 89, No. 1 (2020), 178-179 pdf
Jonathan Morton, The ‘Roman de la rose’ in its Philosophical Context: Art, Nature, and Ethics (Sylvia Huot) Medium Ævum Vol. 88, No. 1 (2019), 170 pdf
Diane J. Reilly, The Cistercian Reform and the Art of the Book in Twelfth-Century France (Jeffrey Hamburger) Medium Ævum Vol. 88, No. 2 (2019), 396-397 pdf
Anglo-Saxon Kingdoms: Art, Word, War, ed. Claire Breay and Joanna Story (Natalija Ganina) Medium Ævum Vol. 88, No. 2 (2019), 405-406 pdf
Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Matthew Thomson) (Matthew Thomson) Medium Ævum Vol. 85, No. 2 (2016), 351 pdf
Géraldine Toniutti, Pour une poetique de l’implication: Cristal et Clarie ou l’art de faire du neuf avec de l’ancien (Thomas Hinton) Medium Ævum Vol. 85, No. 1 (2016), 157 DOI:10.2307/26396484
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Yolanda Plumley, The Art of Grafted Song: Citation and Allusion in the Age of Machaut (Nicholas Bleisch) Medium Ævum Vol. 85, No. 1 (2016), 159 DOI:10.2307/26396486
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Rowan Watson, Victoria and Albert Museum: Western Illuminated Manuscripts. A Catalogue of Works in the National Art Library from the Eleventh to the Early Twentieth Century, with a Complete Account of the George Reid Collection (Jeffrey Hamburger) Medium Ævum Vol. 83, No. 2 (2014), 306 pdf
Joost van Driel, Meesters van het woord. Middelnederlandse schrijvers en hun kunst (Anna Dlaba?ová) Medium Ævum Vol. 82, No. 1 (2013), 164 pdf DOI:10.2307/43633000
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Catherine E. Karkov, The Art of Anglo-Saxon England (RICHARD GAMESON) Medium Ævum Vol. 82, No. 2 (2013), 326 pdf DOI:10.2307/43633022
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Jeffrey H. Hamburger, Carola Jäggi, Susan Marti, and Hedwig Röckelein (eds.), Frauen - Kloster - Kunst. Neue Forschungen Zur Kulturgeschichte des Mittelalters. Beiträge zum Internationalen Kolloquium vom 13. bis 16. Mai 2005 anlässlich der Ausstellung 'Krone und Schleier' (Dennis Green) Medium Ævum Vol. 77, No. 2 (2008), 327-328 DOI:10.2307/43632350
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Catherine M. Jones, Philippe de Vigneulles and the Art of Prose Translation (Jane H.M. Taylor) Medium Ævum Vol. 77, No. 2 (2008), 357-358 DOI:10.2307/43632372
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Bénédicte Milland-Bove, La Demoiselle arthurienne: Écriture du personnage et art du récit dans les romans en prose du XIIIe siècle, Nouvelle Bibliothèque du Moyen Âge 79 (Luke Sunderland) Medium Ævum Vol. 76, No. 2 (2007), 337-337 DOI:10.2307/43633201
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Liam O. Purdon, The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding (Daniel Wakelin) Medium Ævum Vol. 73, No. 1 (2004), 126-127 DOI:10.2307/43630715
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Anne B. Thompson, Everyday Saints and the Art of Narrative in the South English Legendary (CATHERINE SANOK) Medium Ævum Vol. 73, No. 2 (2004), 333-334 DOI:10.2307/43630567
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Loveday Lewes Gee, Women, Art and Patronage from Henry II to Edward III 1216-1377 (Lesley Smith) Medium Ævum Vol. 72, No. 2 (2003), 309-310 DOI:10.2307/43630502
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Kathleen Kamerick, Popular Piety and Art in the Later Middle Ages: Image Worship and Idolatry in England, 1350-1500, The New Middle Ages (JOHN C. HIRSH) Medium Ævum Vol. 72, No. 2 (2003), 324-325 DOI:10.2307/43630514
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Anne Marie de Gendt, L’Art d’éduquer les nobles damoiselles: ‘Le Livre du Chevalier de la Tour Landry’ (ROBERTA KRUEGER) Medium Ævum Vol. 72, No. 2 (2003), 345-346 DOI:10.2307/43630531
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Jeff Rider, God’s Scribe: The Historiographical Art of Galbert of Bruges (Lesley Smith) Medium Ævum Vol. 71, No. 2 (2002), 322-322 DOI:10.2307/43630451
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Mary Clemente Davlin, OP, The Place of God in 'Piers Plowman' and Medieval Art (Aldershot: Ashgate, 2001) (JOHN C. HIRSH) Medium Ævum Vol. 71, No. 2 (2002), 330-331 DOI:10.2307/43630459
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Pamela M. King and Clifford Davidson (eds), The Coventry Corpus Christi Plays, Early Drama, Art and Music Monograph Series 27 (JANE TOLMIE) Medium Ævum Vol. 70, No. 2 (2001), 330-331 DOI:10.2307/43632701
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Francis Dubost, Le Conte du Graal ou l'art de faire signe, Unichamp 71 (ROGER PENSOM) Medium Ævum Vol. 69, No. 1 (2000), 152-153 DOI:10.2307/43631524
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Lilian M. C. Randall, with Judith H. Oliver, Christopher Clarkson, and Claudia Mark, Medieval and Renaissance Manuscripts in the Walters Art Gallery, III: Belgium, 1250—1530, parts 1-2 (PETER KIDD) Medium Ævum Vol. 69, No. 2 (2000), 344-345 DOI:10.2307/43630332
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Joan A. Holladay, Illuminating the Epic: The Kassel 'Willehalm' Codex and the Landgraves of Hesse in the Early Fourteenth Century, College Art Association Monograph on the Fine Arts 54 (Nigel Palmer) Medium Ævum Vol. 68, No. 1 (1999), 152-153 DOI:10.2307/43630165
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Jeffrey F. Hamburger, Nuns as Artists: The Visual Culture of a Medieval Convent (Lesley Smith) Medium Ævum Vol. 67, No. 1 (1998), 120-121 DOI:10.2307/43629968
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Douglas Kelly, The Art of Medieval French Romance (KAREN PRATT) Medium Ævum Vol. 67, No. 1 (1998), 142-143 DOI:10.2307/43629985
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L. M. Eldredge (ed.), Benvenutus Grassus; The Wonderful Art of the Eye: A Critical Edition of the Middle English Translation of his 'De probatissima arte oculorum' (FAYE GETZ) Medium Ævum Vol. 67, No. 2 (1998), 333-334 DOI:10.2307/43630037
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Susan L. Smith, The Power of Women: A 'Topos' in Medieval Art and Literature (BELLA MILLETT) Medium Ævum Vol. 66, No. 2 (1997), 307-307 DOI:10.2307/43630073
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Andy Orchard, The Poetic Art of Aldhelm, Cambridge Studies in Anglo-Saxon England 8 (JANE STEVENSON) Medium Ævum Vol. 66, No. 1 (1997), 130-131 DOI:10.2307/43629919
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The Role of Art in the Late Anglo-Saxon Church, by Richard Gameson (Barbara C. Raw) Medium Ævum Vol. 65, No. 2 (1996), 309-310 DOI:10.2307/43629866
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A Tretise of Miraclis Pleyinge, Western Michigan University, Early Drama, Art, and Music Monograph Series 19, by Clifford Davidson (Anne Hudson) Medium Ævum Vol. 64, No. 1 (1995), 130-131 DOI:10.2307/43629695
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Illustrations of the Stage and Acting in England to 1580, Western Michigan University, Early Drama, Art and Music Monograph Series 16, by Clifford Davidson (Richard Beadle) Medium Ævum Vol. 64, No. 1 (1995), 132-133 DOI:10.2307/43629697
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L'Art métrique de la chanson de geste: Essai sur la musicalité du récit, by Edward A. Heinemann (ROGER PENSOM) Medium Ævum Vol. 64, No. 2 (1995), 325-326 DOI:10.2307/43633125
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The Ruthwell Cross: Papers from the Colloquium sponsored by the Index of Christian Art, Princeton University, 8 December 1989, Index of Christian Art, Occasional Papers I, by Brendan Cassidy (Éamonn Ó Carragáin) Medium Ævum Vol. 63, No. 2 (1994), 317-319 DOI:10.2307/43629746
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The Art of Love: Amatory Fiction from Ovid to the 'Romance of the Rose', by Peter L. Allen (JILLIAN HILL) Medium Ævum Vol. 63, No. 2 (1994), 341-342 DOI:10.2307/43629765
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Two Late Medieval Love Treatises: Heloise's ‘Art d'amour’ and a Collection of Demandes d'Amour. Edited with Introduction, Notes and Glossary from British Library Royal MS 16 F 11, Medium Ævum Monographs, n.s. 16, by Leslie C. Brook (Angus J. Kennedy) Medium Ævum Vol. 63, No. 2 (1994), 344-346 DOI:10.2307/43629768
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Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival, Cambridge Studies in Anglo-Saxon England, 1, by Barbara Raw (Éamonn Ó Carragáin) Medium Ævum Vol. 61, No. 1 (1992), 116-117 DOI:10.2307/43632183
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The Gothic Idol: Ideology and Image-Making in Medieval Art, by Michael Camille (SYLVIA WRIGHT) Medium Ævum Vol. 61, No. 1 (1992), 157-158 DOI:10.2307/43632218
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The 'Things of Greater Importance': Bernard of Clairvaux's 'Apologia' and the Medieval Attitude toward Art, by C. Rudolph (D.J.A. MATTHEW) Medium Ævum Vol. 61, No. 2 (1992), 303-306 DOI:10.2307/43629438
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The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland circa 1300, by Jeffrey F. Hamburger (MARTIN KAUFFMANN) Medium Ævum Vol. 61, No. 2 (1992), 357-358 DOI:10.2307/43629483
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The Poet's Art: Literary Theory in Castile c. 1400-60, Medium Ævum Monographs, n.s. 14, by Julian Weiss (David Hook) Medium Ævum Vol. 60, No. 2 (1991), 322-324 DOI:10.2307/43632601
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The Narrative Art of the Bayeux Tapestry Master, AMS Studies in the Middle Ages, 13, by J. Bard McNulty (RICHARD DAVID WISSOLIK) Medium Ævum Vol. 59, No. 2 (1990), 293-294 DOI:10.2307/43629338
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The Artist at Work: Narrative Technique in Chrétien de Troyes, Transactions of the American Philosophical Society, 78:4, by Evelyn Mullally (J.A. Miller) Medium Ævum Vol. 59, No. 2 (1990), 321-322 DOI:10.2307/43629360
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The Saint Play in Medieval Europe, Early Drama, Art, and Music Monograph Series, 8, by Clifford Davidson (Helen Phillips) Medium Ævum Vol. 57, No. 1 (1988), 87-88 DOI:10.2307/43631432
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Art and Beauty in the Middle Ages, by Umberto Eco, Hugh Bredin (A.V.C. Schmidt) Medium Ævum Vol. 57, No. 2 (1988), 291-292 DOI:10.2307/43629216
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Nine Verse Sermons by Nicholas Bozon: the Art of an Anglo-Norman Poet and Preacher, Medium Ævum Monographs, New Series, 11, by Brian J. Levy (Brian S. Merrilees) Medium Ævum Vol. 52, No. 1 (1983), 169-170 DOI:10.2307/43628719
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Matthew of Vendôme: 'The Art of Versification', by Aubrey E. Galyon (Peter S. Noble) Medium Ævum Vol. 51, No. 1 (1982), 122-122 DOI:10.2307/43632134
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Anglo-Saxon Animal Art and its Germanic Background, by George Speake (Barbara C. Raw) Medium Ævum Vol. 50, No. 2 (1981), 327-328 DOI:10.2307/43628628
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The Art and Background of Old English Poetry, by Barbara C. Raw, Edward Arnold (R.F.S. Hamer) Medium Ævum Vol. 49, No. 1 (1980), 103-104 DOI:10.2307/43628515
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York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor (Meg Twycross) Medium Ævum Vol. 49, No. 2 (1980), 332-336 DOI:10.2307/43628593
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Medieval Music, the Sixth Liberal Art. (Toronto Medieval Bibliographies 4), by Andrew Hughes (John Stevens) Medium Ævum Vol. 48, No. 1 (1979), 168-169 DOI:10.2307/43628449
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The Art of the Gawain-Poet, by W. A. Davenport (R.W.V. Elliott) Medium Ævum Vol. 48, No. 2 (1979), 312-316 DOI:10.2307/43631402
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L'Art d'Amours: Traduction et Commentaire de l''Ars amatoria' d'Ovide, by Bruno Roy (Helen C.R. Laurie) Medium Ævum Vol. 45, No. 1 (1976), 119-120 DOI:10.2307/43628181
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Chaucer and the Making of English Poetry, Vol. I, Love Vision and Debate; Vol. II, The Art of Narrative, by P. M. Kean (Morton W. Bloomfield) Medium Ævum Vol. 43, No. 2 (1974), 193-195 DOI:10.2307/43628017
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The Horned Moses in Medieval Art and Thought, by Ruth Mellinkoff (W.O. Hassall) Medium Ævum Vol. 41, No. 2 (1972), 178-180 DOI:10.2307/43627829
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Kunst und Glaube in der lateinischen Heiligenlegende. (Medium Aevum Philologische Studien 12), by Gerhard Strunk (Bernd Naumann) Medium Ævum Vol. 40, No. 3 (1971), 269-271 DOI:10.2307/43627753
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The Mediaeval Artist at Work, by V. W. Egbert (Walter Oakeshott) Medium Ævum Vol. 38, No. 1 (1969), 110-111 DOI:10.2307/43627526
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Reichenau Reconsidered. A re-assessment of the place of Reichenau in Ottonian Art, (Warburg Institute Surveys, II), by C. R. Dodwell, D. H. Turner (J.J.G. Alexander) Medium Ævum Vol. 37, No. 1 (1968), 100-102 DOI:10.2307/43627411
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Images in the Margins of Gothic Manuscripts. California Studies in the History of Art iv, by Lilian M. C. Randall (W.O. Hassall) Medium Ævum Vol. 37, No. 1 (1968), 102-104 DOI:10.2307/43627412
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The Art of Juan Ruiz, Archpriest of Hita, Estudios de Literatura, by Anthony N. Zahareas (Peter N. Dunn) Medium Ævum Vol. 37, No. 1 (1968), 117-120 DOI:10.2307/43627420
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Art and Tradition in Sir Gawain and the Green Knight, by Larry D. Benson (Cecily Clark) Medium Ævum Vol. 36, No. 1 (1967), 89-92 DOI:10.2307/43627328
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Le Juif médiéval au miroir de l'art chrétien, by Bernhard Blumenkranz (W.O. Hassall) Medium Ævum Vol. 36, No. 2 (1967), 209-210 DOI:10.2307/43627361
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Irish Art in the Early Christian Period (to 800 A.D.), by Françoise Henry (J.A.W. Bennett) Medium Ævum Vol. 35, No. 2 (1966), 177-178 DOI:10.2307/43627277
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Andreas Capellanus: seine Minnelehre und das christliche Weltbild um 1200, (Abhandlungen zur Kunst-, Musik-und Literaturwissenschaft Band 15), by Felix Schlösser (Peter Dronke) Medium Ævum Vol. 32, No. 1 (1963), 56-60 DOI:10.2307/43627021
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Wolframs Religiosität: Beobachtungen über das Verhältnis Wolframs von Eschenbach zur religiösen Tradition des Mittelalters. Abhandlungen zur Kunst-, Musik- und Literaturwissenschaft Band 7, by H. J. Koppitz (J.K. Bostock) Medium Ævum Vol. 29, No. 1 (1960), 36-38 DOI:10.2307/43626844
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Art and the Reformation. 2nd edition, by G. C. Coulton (T.S.R. Boase) Medium Ævum Vol. 23, No. 1 (1954), 58-60 DOI:10.2307/43626532
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Arthurian Legends in Medieval Art. Part II, by Roger Sherman Loomis, Laura Hibbard Loomis (J. Fraser) Medium Ævum Vol. 8, No. 2 (1939), 167-169 DOI:10.2307/43626148
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L'Art du moyen âge (Arts plastiques. Art littéraire) et la Civilisation française (avec 2 cartes et 20 planches hors texte), by Louis Réau, Gustave Cohen (Alfred Ewert) Medium Ævum Vol. 6, No. 3 (1937), 227-227 DOI:10.2307/43626055
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La Formation du Génie moderne dans l'Art de l'Occident (Arts plastiques. Art Littéraire). (Avec 20 planches hors texte), by René Schneider, Gustave Cohen (Alfred Ewert) Medium Ævum Vol. 6, No. 3 (1937), 227-227 DOI:10.2307/43626055
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Carolingian Art Painting and Sculpture in Western Europe A.D. 800-900, by Roger Hinks Medium Ævum Vol. 5, No. 1 (1936), 57-59 DOI:10.2307/43631085
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