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J.K. Bostock Wolframs Religiosität: Beobachtungen über das Verhältnis Wolframs von Eschenbach zur religiösen Tradition des Mittelalters. Abhandlungen zur Kunst-, Musik- und Literaturwissenschaft Band 7, by H. J. Koppitz 29.1 (1960), 36-38 DOI:10.2307/43626844
E.C. Llewellyn La Musique au Moyen Age. (Les Classiques français au Moyen Age, No. 73), by Théodore Gérold 4.1 (1935), 52-54 DOI:10.2307/43625941
Peter Dronke Andreas Capellanus: seine Minnelehre und das christliche Weltbild um 1200, (Abhandlungen zur Kunst-, Musik-und Literaturwissenschaft Band 15), by Felix Schlösser 32.1 (1963), 56-60 DOI:10.2307/43627021
Anselm Hughes 'Sumer is icumen in' a revision. (University of California Publications in Music. Vol. II No. 2), by Manfred F. Bukofzer 13. (1944), 78-81 DOI:10.2307/43626294
Richard Leighton Greene A Dictionary of Middle English Musical Terms, (Indiana University Humanities Series, No. 45), by Henry Holland Carter, George B. Gerhard 32.1 (1963), 80-82 DOI:10.2307/43627029
F.W. Sternfeld Music of the Minnesinger and Early Meistersinger: A Bibliography. (University of North Carolina Studies in Germanic Languages and Literatures, No. 32), by Robert W. Linker 33.1 (1964), 82-83 DOI:10.2307/43627082
Helen Phillips The Saint Play in Medieval Europe, Early Drama, Art, and Music Monograph Series, 8, by Clifford Davidson 57.1 (1988), 87-88 DOI:10.2307/43631432
ALISON M. PEDEN Boethius: the Consolations of Music, Logic, Theology and Philosophy, by Henry Chadwick 53.1 (1984), 99-100 DOI:10.2307/43628791
John Stevens Hucbald, Guido, and John on Music: Three Medieval Treatises. (Music Theory Translation Series 3), by Warren Babb, Claude V. Palisca 49.1 (1980), 99-100 DOI:10.2307/43628513
SAM BARRETT R. Strohm and B. J. Blackburn (eds), The New Oxford History of Music, Vol. III. I: Music as Concept and Practice in the Late Middle Ages 72.1 (2003), 115-116 DOI:10.2307/43630639
Nigel Palmer Lisa Fagin Davis, The Gottschalk Antiphonary: Music and Liturgy in Twelfth-Century Lambach, Cambridge Studies in Palaeography and Codicology 8 70.1 (2001), 129-131 DOI:10.2307/43630350
ALAN J. FLETCHER Richard Rastall, The Heaven Singing: Music in Early English Religious Drama, vol. I 67.1 (1998), 129-130 DOI:10.2307/43629975
Anne Hudson A Tretise of Miraclis Pleyinge, Western Michigan University, Early Drama, Art, and Music Monograph Series 19, by Clifford Davidson 64.1 (1995), 130-131 DOI:10.2307/43629695
John Stevens Music in Mediaval Britain, by Frank Ll. Harrison 30.2 (1961), 131-132 DOI:10.2307/43626925
Richard Beadle Illustrations of the Stage and Acting in England to 1580, Western Michigan University, Early Drama, Art and Music Monograph Series 16, by Clifford Davidson 64.1 (1995), 132-133 DOI:10.2307/43629697
ARDIS BUTTERFIELD Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century, by James I. Wimsatt 63.1 (1994), 133-135 DOI:10.2307/43629633
EMMA HORNBY John Haines, Eight Centuries of Troubadours and Trouveres: The Changing Identity of Medieval Music 74.1 (2005), 137-138 DOI:10.2307/43632268
JAMES CHATER Music in Renaissance Ferrara, 1400-1505: the Creation of a Musical Center in the Fifteenth Century, Studies in the History of Music, 2, by Lewis Lockwood 56.1 (1987), 147-148 DOI:10.2307/43629096
Christopher Page Studies in the Performance of Late Medieval Music, by Stanley Boorman 55.1 (1986), 154-155 DOI:10.2307/43628983
Elspeth Kennedy Margaret Bent and Andrew Wathey, Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146 69.1 (2000), 155-157 DOI:10.2307/43631526
John Stevens Medieval Music, the Sixth Liberal Art. (Toronto Medieval Bibliographies 4), by Andrew Hughes 48.1 (1979), 168-169 DOI:10.2307/43628449
JOHN CALDWELL The Rise of European Music 1380-1500, by Reinhard Strohm 65.1 (1996), 174-175 DOI:10.2307/43629843
Phyllis Abrahams Four Latin Plays of St. Nicholas from the twelfth century Fleury Play-book. Text and Commentary, with a study of the Music of the Plays, and of the Sources and Iconography of the Legends, by Otto E. Albrecht 6.3 (1937), 216-219 DOI:10.2307/43626050
Richard Leighton Greene Music and Poetry in the Early Tudor Court, by John Stevens 31.3 (1962), 220-222 DOI:10.2307/43627001
Richard Beadle The Chester Mystery Cycle: Essays and Documents, with an essay, 'Music in the Cycle', by R. M. Lumiansky, David Mills, Richard Rastall 55.2 (1986), 296-298 DOI:10.2307/43629019
Michel Huglo Ein Festoffizium des Mittelalters aus Beauvais in seiner liturgischer und musikalischer Bedeutung, by Wulf Arlt 46.2 (1977), 298-300 DOI:10.2307/43628284
EMMA HORNBY Elizabeth Eva Leach, Sung Birds: Music, Nature and Poetry in the Later Middle Ages 77.2 (2008), 328-329 DOI:10.2307/43632351
JANE TOLMIE Pamela M. King and Clifford Davidson (eds), The Coventry Corpus Christi Plays, Early Drama, Art and Music Monograph Series 27 70.2 (2001), 330-331 DOI:10.2307/43632701
Meg Twycross York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor 49.2 (1980), 332-336 DOI:10.2307/43628593
JOHN CALDWELL Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, by John Stevens 57.2 (1988), 333-335 DOI:10.2307/43629247
DAVID MAW Mary O’Neill, Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire, Oxford Monographs in Music< 76.2 (2007), 334-335 DOI:10.2307/43633199
JOHN CALDWELL The Early Middle Ages to 1300 (The New Oxford History of Music, Vol. II), by Richard Crocker, David Hiley 60.2 (1991), 335-337 DOI:10.2307/43632610

Fiona Ritchie and Doug Orr, Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia

84.2 (2015), 345- DOI:10.2307/26396553
R.H. RICHENS Fifteenth-century liturgical music. II: Four anonymous masses. (British Academy Early English Church Music 22), by Margaret Bent 49.2 (1980), 350-352 DOI:10.2307/43628601
MICHAEL SHIELDS Tradition und Gattungsbewußtsein im deutschen Leich. Ein Beitrag zur Gattungsgeschichte mittelalterlicher musikalischer 'Discordia', by Hermann Apfelböck 62.2 (1993), 355-357 DOI:10.2307/43629599
Mark Everist Eglal Doss-Quinby and Samuel N. Rosenberg (eds and trans), Elizabeth Aubrey (music ed.), The Old French Ballette: Oxford, Bodleian Library, MS Douce 308 77.1 (2008), 166-167 DOI:10.2307/43630625
Shorter Notices
Philipp Jeserich, Musica naturalis: Speculative Music Theory and Poetics, from Saint Augustine to the Late Middle Ages in France, trans. Michael J. Curley and Steven Rendell 85.1 (2016), 176- DOI:10.2307/26396491
Studies in Medievalism XXVII: Authenticity, Medievalism, Music, ed. Karl Fugelso 88.1 (2019), 187-187
Medieval Cantors and their Craft: Music, Liturgy and the Shaping of History, 800–1500, ed. Katie Ann-Marie Bugyis, A. B. Kraebel, and Margot E. Fassler 88.1 (2019), 190-191
Jennifer Saltzstein, The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry, Gallica 30 83.2 (2014), 373-
Sens, rhétorique et musique. Études réunies en hommage à Jacqueline Cerquiglini-Toulet, ed. Sophie Albert, Mireille Demaules, Estelle Doudet, Sylvie Lefèvre, Christopher Lucken, and Agathe Sultan, Colloques, Congrès, et Conférences sur le Moyen Âge 21 85.2 (2016), 376- DOI:10.2307/26396399
Giovanni Varelli

Mark Everist and Thomas Forrest Kelly, The Cambridge History of Medieval Music

88.2 (2019), 435-436
TERENCE McCARTHY Literary practice in eleventh-century music theory: the colores rhetorici and Aribo’s De musica 71.2 (2002), 191-208 DOI:10.2307/43630432


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