music

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Articles
T. J. H. MCCARTHY, Literary practice in eleventh-century music theory: the colores rhetorici and Aribo’s De musica Medium Ævum Vol. 71, No. 2 (2002), 191-208 DOI:10.2307/43630432
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Editions
Eglal Doss-Quinby and Samuel N. Rosenberg (eds and trans), Elizabeth Aubrey (music ed.), The Old French Ballette: Oxford, Bodleian Library, MS Douce 308 (Mark Everist) Medium Ævum Vol. 77, No. 1 (2008), 166-167 DOI:10.2307/43630625
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Shorter Notices
Studies in Medievalism XXVII: Authenticity, Medievalism, Music, ed. Karl Fugelso Medium Ævum Vol. 88, No. 1 (2019), 187-187 pdf
Medieval Cantors and their Craft: Music, Liturgy and the Shaping of History, 800–1500, ed. Katie Ann-Marie Bugyis, A. B. Kraebel, and Margot E. Fassler Medium Ævum Vol. 88, No. 1 (2019), 190-191 pdf
Mark Everist and Thomas Forrest Kelly, The Cambridge History of Medieval Music (Giovanni Varelli) Medium Ævum Vol. 88, No. 2 (2019), 435-436 pdf
Philipp Jeserich, Musica naturalis: Speculative Music Theory and Poetics, from Saint Augustine to the Late Middle Ages in France, trans. Michael J. Curley and Steven Rendell Medium Ævum Vol. 85, No. 1 (2016), 176 DOI:10.2307/26396491
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Sens, rhétorique et musique. Études réunies en hommage à Jacqueline Cerquiglini-Toulet, ed. Sophie Albert, Mireille Demaules, Estelle Doudet, Sylvie Lefèvre, Christopher Lucken, and Agathe Sultan, Colloques, Congrès, et Conférences sur le Moyen Âge 21 Medium Ævum Vol. 85, No. 2 (2016), 376 DOI:10.2307/26396399
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Jennifer Saltzstein, The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry, Gallica 30 Medium Ævum Vol. 83, No. 2 (2014), 373
Reviews
Fiona Ritchie and Doug Orr, Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia (JOHN C. HIRSH) Medium Ævum Vol. 84, No. 2 (2015), 345 pdf DOI:10.2307/26396553
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Elizabeth Eva Leach, Sung Birds: Music, Nature and Poetry in the Later Middle Ages (EMMA HORNBY) Medium Ævum Vol. 77, No. 2 (2008), 328-329 DOI:10.2307/43632351
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Mary O’Neill, Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire, Oxford Monographs in Music (DAVID MAW) Medium Ævum Vol. 76, No. 2 (2007), 334-335 DOI:10.2307/43633199
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John Haines, Eight Centuries of Troubadours and Trouveres: The Changing Identity of Medieval Music (EMMA HORNBY) Medium Ævum Vol. 74, No. 1 (2005), 137-138 DOI:10.2307/43632268
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R. Strohm and B. J. Blackburn (eds), The New Oxford History of Music, Vol. III. I: Music as Concept and Practice in the Late Middle Ages (SAM BARRETT) Medium Ævum Vol. 72, No. 1 (2003), 115-116 DOI:10.2307/43630639
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Lisa Fagin Davis, The Gottschalk Antiphonary: Music and Liturgy in Twelfth-Century Lambach, Cambridge Studies in Palaeography and Codicology 8 (Nigel Palmer) Medium Ævum Vol. 70, No. 1 (2001), 129-131 DOI:10.2307/43630350
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Pamela M. King and Clifford Davidson (eds), The Coventry Corpus Christi Plays, Early Drama, Art and Music Monograph Series 27 (JANE TOLMIE) Medium Ævum Vol. 70, No. 2 (2001), 330-331 DOI:10.2307/43632701
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Margaret Bent and Andrew Wathey, Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146 (Elspeth Kennedy) Medium Ævum Vol. 69, No. 1 (2000), 155-157 DOI:10.2307/43631526
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Richard Rastall, The Heaven Singing: Music in Early English Religious Drama, vol. I (ALAN J. FLETCHER) Medium Ævum Vol. 67, No. 1 (1998), 129-130 DOI:10.2307/43629975
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The Rise of European Music 1380-1500, by Reinhard Strohm (JOHN CALDWELL) Medium Ævum Vol. 65, No. 1 (1996), 174-175 DOI:10.2307/43629843
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A Tretise of Miraclis Pleyinge, Western Michigan University, Early Drama, Art, and Music Monograph Series 19, by Clifford Davidson (Anne Hudson) Medium Ævum Vol. 64, No. 1 (1995), 130-131 DOI:10.2307/43629695
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Illustrations of the Stage and Acting in England to 1580, Western Michigan University, Early Drama, Art and Music Monograph Series 16, by Clifford Davidson (Richard Beadle) Medium Ævum Vol. 64, No. 1 (1995), 132-133 DOI:10.2307/43629697
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Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century, by James I. Wimsatt (ARDIS BUTTERFIELD) Medium Ævum Vol. 63, No. 1 (1994), 133-135 DOI:10.2307/43629633
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Tradition und Gattungsbewußtsein im deutschen Leich. Ein Beitrag zur Gattungsgeschichte mittelalterlicher musikalischer 'Discordia', by Hermann Apfelböck (MICHAEL SHIELDS) Medium Ævum Vol. 62, No. 2 (1993), 355-357 DOI:10.2307/43629599
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The Early Middle Ages to 1300 (The New Oxford History of Music, Vol. II), by Richard Crocker, David Hiley (JOHN CALDWELL) Medium Ævum Vol. 60, No. 2 (1991), 335-337 DOI:10.2307/43632610
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Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, by John Stevens (JOHN CALDWELL) Medium Ævum Vol. 57, No. 2 (1988), 333-335 DOI:10.2307/43629247
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The Saint Play in Medieval Europe, Early Drama, Art, and Music Monograph Series, 8, by Clifford Davidson (Helen Phillips) Medium Ævum Vol. 57, No. 1 (1988), 87-88 DOI:10.2307/43631432
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Music in Renaissance Ferrara, 1400-1505: the Creation of a Musical Center in the Fifteenth Century, Studies in the History of Music, 2, by Lewis Lockwood (JAMES CHATER) Medium Ævum Vol. 56, No. 1 (1987), 147-148 DOI:10.2307/43629096
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Studies in the Performance of Late Medieval Music, by Stanley Boorman (Christopher Page) Medium Ævum Vol. 55, No. 1 (1986), 154-155 DOI:10.2307/43628983
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The Chester Mystery Cycle: Essays and Documents, with an essay, 'Music in the Cycle', by R. M. Lumiansky, David Mills, Richard Rastall (Richard Beadle) Medium Ævum Vol. 55, No. 2 (1986), 296-298 DOI:10.2307/43629019
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Boethius: the Consolations of Music, Logic, Theology and Philosophy, by Henry Chadwick (ALISON M. PEDEN) Medium Ævum Vol. 53, No. 1 (1984), 99-100 DOI:10.2307/43628791
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Hucbald, Guido, and John on Music: Three Medieval Treatises. (Music Theory Translation Series 3), by Warren Babb, Claude V. Palisca (John Stevens) Medium Ævum Vol. 49, No. 1 (1980), 99-100 DOI:10.2307/43628513
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York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor (Meg Twycross) Medium Ævum Vol. 49, No. 2 (1980), 332-336 DOI:10.2307/43628593
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Fifteenth-century liturgical music. II: Four anonymous masses. (British Academy Early English Church Music 22), by Margaret Bent (R.H. RICHENS) Medium Ævum Vol. 49, No. 2 (1980), 350-352 DOI:10.2307/43628601
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Medieval Music, the Sixth Liberal Art. (Toronto Medieval Bibliographies 4), by Andrew Hughes (John Stevens) Medium Ævum Vol. 48, No. 1 (1979), 168-169 DOI:10.2307/43628449
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Ein Festoffizium des Mittelalters aus Beauvais in seiner liturgischer und musikalischer Bedeutung, by Wulf Arlt (Michel Huglo) Medium Ævum Vol. 46, No. 2 (1977), 298-300 DOI:10.2307/43628284
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Music of the Minnesinger and Early Meistersinger: A Bibliography. (University of North Carolina Studies in Germanic Languages and Literatures, No. 32), by Robert W. Linker (F.W. Sternfeld) Medium Ævum Vol. 33, No. 1 (1964), 82-83 DOI:10.2307/43627082
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Andreas Capellanus: seine Minnelehre und das christliche Weltbild um 1200, (Abhandlungen zur Kunst-, Musik-und Literaturwissenschaft Band 15), by Felix Schlösser (Peter Dronke) Medium Ævum Vol. 32, No. 1 (1963), 56-60 DOI:10.2307/43627021
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A Dictionary of Middle English Musical Terms, (Indiana University Humanities Series, No. 45), by Henry Holland Carter, George B. Gerhard (Richard Leighton Greene) Medium Ævum Vol. 32, No. 1 (1963), 80-82 DOI:10.2307/43627029
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Music and Poetry in the Early Tudor Court, by John Stevens (Richard Leighton Greene) Medium Ævum Vol. 31, No. 3 (1962), 220-222 DOI:10.2307/43627001
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Music in Mediaval Britain, by Frank Ll. Harrison (John Stevens) Medium Ævum Vol. 30, No. 2 (1961), 131-132 DOI:10.2307/43626925
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Wolframs Religiosität: Beobachtungen über das Verhältnis Wolframs von Eschenbach zur religiösen Tradition des Mittelalters. Abhandlungen zur Kunst-, Musik- und Literaturwissenschaft Band 7, by H. J. Koppitz (J.K. Bostock) Medium Ævum Vol. 29, No. 1 (1960), 36-38 DOI:10.2307/43626844
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'Sumer is icumen in' a revision. (University of California Publications in Music. Vol. II No. 2), by Manfred F. Bukofzer (Anselm Hughes) Medium Ævum Vol. 13 (1944), 78-81 DOI:10.2307/43626294
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Four Latin Plays of St. Nicholas from the twelfth century Fleury Play-book. Text and Commentary, with a study of the Music of the Plays, and of the Sources and Iconography of the Legends, by Otto E. Albrecht (Phyllis Abrahams) Medium Ævum Vol. 6, No. 3 (1937), 216-219 DOI:10.2307/43626050
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La Musique au Moyen Age. (Les Classiques français au Moyen Age, No. 73), by Théodore Gérold (E.C. Llewellyn) Medium Ævum Vol. 4, No. 1 (1935), 52-54 DOI:10.2307/43625941
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