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O. Elton |
The Allegory of Love : a Study in Medieval Tradition, by C. S. Lewis |
6.1 (1937), 34-40 |
DOI:10.2307/43626021 |
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M.A. Grellner |
The Roman de la Rose: A Study in Allegory and Iconography, by John V. Fleming |
42.1 (1973), 69-73 |
DOI:10.2307/43627845 |
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C. Foligno |
The D.X.V. Prophecy. Dante and the Sabbatum Fidelium : An introductory study in the Allegorical Interpretation of the Divine Comedy, by Rose Nolan Ferrall |
8.1 (1939), 79-80 |
DOI:10.2307/43626130 |
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Owen Barfield |
The Visionary landscape: A Study in Medieval Allegory, by Paul Piehler |
42.1 (1973), 84-91 |
DOI:10.2307/43627848 |
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F.W. ZIMMERMANN |
Allegory and Philosophy in Avicenna (Ibn Sînâ), with a translation of the Prophet Muhammad's Ascent to Heaven, by Peter Heath |
64.1 (1995), 117-119 |
DOI:10.2307/43629685 |
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JAMES SIMPSON |
Imitating God: the Allegory of Faith in 'Piers Plowman' B, by Pamela Raabe |
61.1 (1992), 121-123 |
DOI:10.2307/43632188 |
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Margaret E. Goldsmith |
Cain and Beowulf: a Study in Secular Allegory, by David Williams |
54.1 (1985), 134-135 |
DOI:10.2307/43628876 |
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Elspeth Kennedy |
Margaret Bent and Andrew Wathey, Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146 |
69.1 (2000), 155-157 |
DOI:10.2307/43631526 |
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PRISCILLA J. BAWCUTT |
Dramatic Allegory: Lindsay's 'Ane Satyre of the Thrie Estaitis', by Joanne Spencer Kantrowitz |
47.1 (1978), 187-188 |
DOI:10.2307/43628356 |
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H.B. Willson |
Exemplarische Allegorie: Untersuchungen zu einem literarhistorischen Phänomen bei Hans Sachs, by Winfried Theiss |
39.2 (1970), 199-201 |
DOI:10.2307/43631285 |
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HELEN BARR |
Ann W. Astell, Political Allegory in Late Medieval England |
69.2 (2000), 305-306 |
DOI:10.2307/43630300 |
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NORMAN KLASSEN |
Dolores L. Cullen, Chaucer’s Pilgrims: The Allegory |
72.2 (2003), 327-329 |
DOI:10.2307/43630517 |
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N.S. THOMPSON |
Chaucer's Dante: Allegory and Epic Theater in 'The Canterbury Tales', by Richard Neuse |
62.2 (1993), 327-328 |
DOI:10.2307/43629578 |
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JOHN C. HIRSH |
Christiania Whitehead, Castles of the Mind: A Study of Medieval Architectural Allegory, Religion and Culture in the Middle Ages |
73.2 (2004), 331-332 |
DOI:10.2307/43630566 |
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NORMAN KLASSEN |
Suzanne Conklin Akbari, Seeing Through the Veil: Optical Theory and Medieval Allegory |
74.2 (2005), 333-334 |
DOI:10.2307/43632738 |
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NICOLETTE ZEEMAN |
Madeleine Kasten, In Search of ‘Kynde Knowynge’: ‘Piers Plowman’ and the Origin of Allegory |
77.2 (2008), 340-342 |
DOI:10.2307/43632360 |
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Katie L. Walter |
Stephanie A. Viereck Gibbs Kamath, Authorship and First-Person Allegory in Late Medieval France and England |
82.2 (2013), 341- |
DOI:10.2307/43633033 |
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A.V.C. Schmidt |
Piers Plowman and Christian Allegory, by David Aers |
45.3 (1976), 342-344 |
DOI:10.2307/43628245 |
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Megan Leitch |
Marco Nievergelt, Allegorical Quests from Deguileville to Spenser |
83.2 (2014), 347- |
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ROSALIND BROWN-GRANT |
The Allegory of Female Authority: Christine de Pizan;s 'Cité des Dames', by Maureen Quilligan |
62.2 (1993), 350-351 |
DOI:10.2307/43629595 |
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Eleanor Relle |
Allegorical Imagery: Some Mediaeval Books and Their Posterity, by Rosemond Tuve |
37.3 (1968), 360-362 |
DOI:10.2307/43627488 |
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Peter Chekin |
James C. Kriesel, Boccaccio’s Corpus: Allegory, Ethics, and Vernacularity
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89.2 (2020), 410-411 |
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