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Nicole R. Rice and Margaret Aziza Pappano, The Civic Cycles: Artisan Drama and Identity in Premodern England (Mark Campbell Chambers) |
Medium Ævum Vol. 87, No. 1 (2018), 175 |
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Nicole R. Rice and Margaret Aziza Pappano, The Civic Cycles: Artisan Drama and Identity in Premodern England (Mark Chambers)
(Mark Campbell Chambers) |
Medium Ævum Vol. 86, No. 1 (2017), 173 |
DOI:10.2307/26396518
JSTOR |
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Claire Sponsler, The Queen’s Dumbshows: John Lydgate and the Making of Early Theater (Mark Chambers) (Mark Campbell Chambers) |
Medium Ævum Vol. 84, No. 2 (2015), 338 |
DOI:10.2307/26396548
JSTOR |
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Clifford Davidson, with Sheila White, Corpus Christi Plays at York: A Context for Religious Drama (John J. McGavin) |
Medium Ævum Vol. 83, No. 1 (2014), 148 |
DOI:10.2307/43633073
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Greg Walker, Reading Literature Historically: Drama and Poetry from Chaucer to the Reformation (Jane Griffiths) |
Medium Ævum Vol. 83, No. 2 (2014), 336 |
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Geraldine Coates, Treacherous Foundations: Betrayal and Collective Identity in Early Spanish Epic, Chronicle, and Drama (David Hook) |
Medium Ævum Vol. 82, No. 1 (2013), 155 |
DOI:10.2307/43632993
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Alan M. Kent, The Theatre of Cornwall: Space, Place, Performance (Brian Murdoch) |
Medium Ævum Vol. 81, No. 1 (2012), 146 |
DOI:10.2307/43632907
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Clifford Davidson, Festivals and Plays in Late Medieval Britain (Mark Campbell Chambers) |
Medium Ævum Vol. 79, No. 1 (2010), 139-140 |
DOI:10.2307/43632399
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Penny Granger, The N-Town Play: Drama and Liturgy in Medieval East Anglia, Westfield Medieval Studies (Mark Campbell Chambers) |
Medium Ævum Vol. 79, No. 2 (2010), 328-329 |
DOI:10.2307/43632439
JSTOR |
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Tony Corbett, The Laity, the Church and the Mystery Plays: A Drama of Belonging (Mark Campbell Chambers) |
Medium Ævum Vol. 79, No. 2 (2010), 330-331 |
DOI:10.2307/43632440
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Lynette R. Muir, Love and Conflict in Medieval Drama: The Plays and their Legacy (BEN PARSONS) |
Medium Ævum Vol. 78, No. 1 (2009), 136-137 |
DOI:10.2307/43632812
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Fiona S. Dunlop, The Late Medieval Interlude: The Drama of Youth and Aristocratic Masculinity (Mark Campbell Chambers) |
Medium Ævum Vol. 77, No. 1 (2008), 127-128 |
DOI:10.2307/43630605
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John Parker, The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe (BEN PARSONS) |
Medium Ævum Vol. 77, No. 2 (2008), 350-351 |
DOI:10.2307/43632366
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Ruth Niesse, Defining Acts: Drama and the Politics of Interpretation in Late Medieval England (Mark Campbell Chambers) |
Medium Ævum Vol. 76, No. 1 (2007), 141-142 |
DOI:10.2307/43632318
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Katie Normington, Gender and Medieval Drama, Gender in the Middle Ages 1 (Mark Campbell Chambers) |
Medium Ævum Vol. 75, No. 1 (2006), 152-153 |
DOI:10.2307/43621049
JSTOR |
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Peter Happé, Cyclic Form and the English Mystery Plays: A Comparative Study of the English Biblical Cycles and their Continental and Iconographie Counterparts, Ludus: Medieval and Early Renaissance Theatre and Drama 7
(Daniel Wakelin) |
Medium Ævum Vol. 74, No. 2 (2005), 349-350 |
DOI:10.2307/43632750
JSTOR |
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Theresa Coletti, Mary Magdalene and the Drama of the Saints: Theater, Gender, and Religion in Late Medieval England, The Middle Ages Series (KATHERINE L. JANSEN) |
Medium Ævum Vol. 74, No. 2 (2005), 350-352 |
DOI:10.2307/43632751
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Sarah Carpenter and Meg Twycross, Masks and Masking in Medieval and Early Tudor England, Studies in Performance and Early Modern Drama (Mark Campbell Chambers) |
Medium Ævum Vol. 73, No. 1 (2004), 129-131 |
DOI:10.2307/43630718
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Nadine Henrard, Le Théâtre religieux médiéval en langue d'oc, Bibliothèque de la Faculté de Philosophie et Lettres de l'Université de Liège, Fascicule 273 (ELISABETH SCHULZE-BUSACKER) |
Medium Ævum Vol. 73, No. 1 (2004), 142-143 |
DOI:10.2307/43630727
JSTOR |
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Jennifer A. Low, Manhood and the Duel: Masculinity in Early Modern Drama and Culture, Early Modern Cultural Studies (Mark Campbell Chambers) |
Medium Ævum Vol. 73, No. 2 (2004), 343-344 |
DOI:10.2307/43630574
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Liam O. Purdon, The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding (Daniel Wakelin) |
Medium Ævum Vol. 73, No. 1 (2004), 126-127 |
DOI:10.2307/43630715
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Alan J. Fletcher, Drama and the Performing Arts in Pre-Cromwellian Ireland: A Repertory of Sources and Documents from Earliest Times until c. 1642 (MÁIRE NÍ MHAONAIGH) |
Medium Ævum Vol. 71, No. 1 (2002), 136-137 |
DOI:10.2307/43630405
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Kathryn Jacobs, Marriage Contracts from Chaucer to the Renaissance Stage (Neil Cartlidge) |
Medium Ævum Vol. 71, No. 2 (2002), 334-335 |
DOI:10.2307/43630463
JSTOR |
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Michael Freeman and Jane H. M. Taylor (eds), Villon at Oxford: The Drama of the Text. Proceedings of the Conference Held at St Hilda's College, Oxford, March 1996 (Daron Burrows) |
Medium Ævum Vol. 71, No. 2 (2002), 352-353 |
DOI:10.2307/43630479
JSTOR |
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Pamela M. King and Clifford Davidson (eds), The Coventry Corpus Christi Plays, Early Drama, Art and Music Monograph Series 27 (JANE TOLMIE) |
Medium Ævum Vol. 70, No. 2 (2001), 330-331 |
DOI:10.2307/43632701
JSTOR |
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Alan J. Fletcher, Drama, Performance, and Polity in Pre-Cromwellian Ireland (Richard Beadle) |
Medium Ævum Vol. 70, No. 2 (2001), 331-332 |
DOI:10.2307/43632702
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Gordon Kipling, Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph (PETER HAPPÉ) |
Medium Ævum Vol. 69, No. 1 (2000), 139-140 |
DOI:10.2307/43631515
JSTOR |
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Greg Walker, The Politics of Performance in Early Renaissance Drama (PETER HAPPÉ) |
Medium Ævum Vol. 69, No. 1 (2000), 139-140 |
DOI:10.2307/43631515
JSTOR |
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Graham A. Runnalls, Études sur les mystères: un recueil de 22 études sur les mystères français, suivi d'un répertoire du théâtre religieux français du moyen âge et d'une bibliographie, Champion-Varia 14 (ALAN E. KNIGHT) |
Medium Ævum Vol. 69, No. 1 (2000), 161-162 |
DOI:10.2307/43631530
JSTOR |
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C. R. Dodwell, Anglo-Saxon Gestures and the Roman Stage, Cambridge Studies in Anglo-Saxon England 28 (J.A. Burrow) |
Medium Ævum Vol. 69, No. 2 (2000), 296-297 |
DOI:10.2307/43630293
JSTOR |
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David Mills, Recycling the Cycle: The City of Chester and its Whitsun Plays, Studies in Early English Drama 4 (EDWARD WHEATLEY) |
Medium Ævum Vol. 69, No. 2 (2000), 312-313 |
DOI:10.2307/43630306
JSTOR |
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Janette Dillon, Language and Stage in Medieval and Renaissance England (Edwin D. Craun) |
Medium Ævum Vol. 68, No. 2 (1999), 319-320 |
DOI:10.2307/43630193
JSTOR |
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Richard Rastall, The Heaven Singing: Music in Early English Religious Drama, vol. I (ALAN J. FLETCHER) |
Medium Ævum Vol. 67, No. 1 (1998), 129-130 |
DOI:10.2307/43629975
JSTOR |
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James Wyatt Cook (trans.) , Antonia Pulci; Florentine Drama for Convent and Festival: Seven Sacred Plays (MAJA MIKULA) |
Medium Ævum Vol. 67, No. 1 (1998), 162-162 |
DOI:10.2307/43630004
JSTOR |
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Terry Gunnell, The Origins of Drama in Scandinavia (Carolyne Larrington) |
Medium Ævum Vol. 66, No. 1 (1997), 167-168 |
DOI:10.2307/43629949
JSTOR |
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The Biblical Drama of Medieval Europe, by Lynette R. Muir (WILLIAM TYDEMAN) |
Medium Ævum Vol. 65, No. 2 (1996), 294-295 |
DOI:10.2307/43629854
JSTOR |
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The Towneley Plays, Early English Text Society, Supplementary Series 13, by Martin Stevens, A. C. Cawley (PAMELA M. KING) |
Medium Ævum Vol. 65, No. 2 (1996), 320-321 |
DOI:10.2307/43629875
JSTOR |
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Nine Medieval Latin Plays, Cambridge Medieval Classics 1, by Peter Dronke (L.M. ELDREDGE) |
Medium Ævum Vol. 64, No. 2 (1995), 304-305 |
DOI:10.2307/43633109
JSTOR |
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Word and Drama in Dante: Essays on the Divina Commedia, by John C. Barnes, Jennifer Petrie (GARY P. CESTARO) |
Medium Ævum Vol. 64, No. 2 (1995), 337-338 |
DOI:10.2307/43633135
JSTOR |
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A Tretise of Miraclis Pleyinge, Western Michigan University, Early Drama, Art, and Music Monograph Series 19, by Clifford Davidson (Anne Hudson) |
Medium Ævum Vol. 64, No. 1 (1995), 130-131 |
DOI:10.2307/43629695
JSTOR |
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Illustrations of the Stage and Acting in England to 1580, Western Michigan University, Early Drama, Art and Music Monograph Series 16, by Clifford Davidson (Richard Beadle) |
Medium Ævum Vol. 64, No. 1 (1995), 132-133 |
DOI:10.2307/43629697
JSTOR |
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Chaucer's Dante: Allegory and Epic Theater in 'The Canterbury Tales', by Richard Neuse (N.S. THOMPSON) |
Medium Ævum Vol. 62, No. 2 (1993), 327-328 |
DOI:10.2307/43629578
JSTOR |
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Religion in the Poetry and Drama of the Late Middle Ages in England, by Piero Boitani, Anna Torti (JONATHAN HUGHES) |
Medium Ævum Vol. 61, No. 1 (1992), 133-134 |
DOI:10.2307/43632198
JSTOR |
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Contexts for Early English Drama, by Marianne G. Briscoe, John C. Coldewey (Richard Beadle) |
Medium Ævum Vol. 60, No. 1 (1991), 121-122 |
DOI:10.2307/43629403
JSTOR |
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The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages, by Gail McMurray Gibson (ALAN J. FLETCHER) |
Medium Ævum Vol. 60, No. 1 (1991), 123-124 |
DOI:10.2307/43629404
JSTOR |
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Patterns of Divine Comedy: a Study in Mediaeval English Drama, by R. D. S. Jack (WILLIAM TYDEMAN) |
Medium Ævum Vol. 59, No. 2 (1990), 311-312 |
DOI:10.2307/43629351
JSTOR |
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Records of Early English Drama: Cambridge, by Alan H. Nelson (Helen Cooper) |
Medium Ævum Vol. 59, No. 2 (1990), 312-313 |
DOI:10.2307/43629352
JSTOR |
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The Devil at Baptism: Ritual, Theology, and Drama, by Henry Ansgar Kelly (C.W. MARX) |
Medium Ævum Vol. 57, No. 1 (1988), 82-83 |
DOI:10.2307/43631427
JSTOR |
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The Saint Play in Medieval Europe, Early Drama, Art, and Music Monograph Series, 8, by Clifford Davidson (Helen Phillips) |
Medium Ævum Vol. 57, No. 1 (1988), 87-88 |
DOI:10.2307/43631432
JSTOR |
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Chaucer's Drama of Style: Poetic Variety and Contrast in the 'Canterbury Tales', by C. David Benson (Roger Ellis) |
Medium Ævum Vol. 57, No. 2 (1988), 310-312 |
DOI:10.2307/43629231
JSTOR |
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Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, by John Stevens (JOHN CALDWELL) |
Medium Ævum Vol. 57, No. 2 (1988), 333-335 |
DOI:10.2307/43629247
JSTOR |
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The Staging of Religious Drama in the Later Middle Ages: Texts and Documents in English Translation, by Peter Meredith, John E. Tailby (Helen Phillips) |
Medium Ævum Vol. 55, No. 2 (1986), 295-296 |
DOI:10.2307/43629018
JSTOR |
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From Creation to Doom: the York Cycle of Mystery Plays, by Clifford Davidson (Richard Beadle) |
Medium Ævum Vol. 55, No. 2 (1986), 299-299 |
DOI:10.2307/43629020
JSTOR |
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The York Plays, York Medieval Texts, second series, by Richard Beadle (C.W. MARX) |
Medium Ævum Vol. 54, No. 2 (1985), 316-318 |
DOI:10.2307/43628923
JSTOR |
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The Late Medieval Religious Plays of Bodleian MSS Digby 133 and e Museo 160, EETS, OS, 283, by Donald C. Baker, John L. Murphy, Louis B. Hall Jr (Richard Beadle) |
Medium Ævum Vol. 54, No. 2 (1985), 319-320 |
DOI:10.2307/43628924
JSTOR |
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Fifteenth Century English Drama: the Early Moral Plays and their Literary Relations, by W. A. Davenport (SARAH CARPENTER) |
Medium Ævum Vol. 53, No. 2 (1984), 321-322 |
DOI:10.2307/43628844
JSTOR |
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Fools' Plays: a Study of Satire in the 'Sottie', by Heather Arden (SANDRA BILLINGTON) |
Medium Ævum Vol. 50, No. 1 (1981), 147-148 |
DOI:10.2307/43632092
JSTOR |
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Le théâtre sacré de la fin du moyen âge. Etude sur le sens moral de la 'Passion' de Jean Michel, (Publications Romanes et Françaises, 150), by Maurice Accarie (Graham A. Runnalls) |
Medium Ævum Vol. 50, No. 1 (1981), 161-163 |
DOI:10.2307/43632098
JSTOR |
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Non-Cycle Plays and the Winchester Dialogues. Facsimiles of Plays and Fragments in Various Manuscripts and the Dialogues in Winchester College MS 33. With Introductions and a Transcript of the Dialogues. (Leeds Texts and Monographs; Medieval Drama Fascimiles, 5), by Norman Davis (WILLIAM TYDEMAN) |
Medium Ævum Vol. 50, No. 2 (1981), 350-351 |
DOI:10.2307/43628639
JSTOR |
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The Medieval Religious Stage, by A. M. Nagler (Richard Axton) |
Medium Ævum Vol. 49, No. 1 (1980), 158-160 |
DOI:10.2307/43628539
JSTOR |
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York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor (Meg Twycross) |
Medium Ævum Vol. 49, No. 2 (1980), 332-336 |
DOI:10.2307/43628593
JSTOR |
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The N-Town Plays: A Facsimile of British Library MS Cotton Vespasian D VIII (Leeds Texts and Monographs: Medieval Drama Facsimiles 4), by Peter Meredith, Stanley J. Kahrl (Richard Beadle) |
Medium Ævum Vol. 48, No. 2 (1979), 319-321 |
DOI:10.2307/43631404
JSTOR |
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Die Gebärde im Drama des Mittelalters: Osterfeiern. Osterspiele. (Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 49), by Anke Roeder (Margaret Thomas) |
Medium Ævum Vol. 47, No. 1 (1978), 182-185 |
DOI:10.2307/43628354
JSTOR |
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Liturgy and Drama in the Anglo-Norman Adam. (Medium Ævum monographs n.s.3), by Lynette R. Muir (John Stevens) |
Medium Ævum Vol. 46, No. 1 (1977), 135-138 |
DOI:10.2307/43621117
JSTOR |
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The Medieval Theatre, by Glynne Wickham (Alan H. Nelson) |
Medium Ævum Vol. 45, No. 2 (1976), 223-226 |
DOI:10.2307/43628210
JSTOR |
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The Mediæval English Stage: Corpus Christi Pageants and Plays, by Alan Nelson (Richard Beadle) |
Medium Ævum Vol. 45, No. 3 (1976), 347-350 |
DOI:10.2307/43628248
JSTOR |
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European Drama of the Early Middle Ages, by Richard Axton (Malcolm M. Brennan) |
Medium Ævum Vol. 45, No. 1 (1976), 126-128 |
DOI:10.2307/43628186
JSTOR |
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Le Théâtre Religieux en Dauphiné du Mojen Age au XVIIIe siècle. (Publications Romanes et Françaises CXXVIII), by Jacques Chocheyras (Graham A. Runnalls) |
Medium Ævum Vol. 45, No. 1 (1976), 128-130 |
DOI:10.2307/43628187
JSTOR |
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Un Cycle du Théâtre Religieux Anglais du Moyen Âge, by Claude Gauvin (Richard Beadle) |
Medium Ævum Vol. 44, No. 3 (1975), 305-307 |
DOI:10.2307/43628150
JSTOR |
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The English Mystery Plays, by Rosemary Woolf (Neville Denny) |
Medium Ævum Vol. 43, No. 1 (1974), 84-87 |
DOI:10.2307/43627985
JSTOR |
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The Medieval Drama, by Sandro Sticca (Neville Denny) |
Medium Ævum Vol. 43, No. 1 (1974), 84-87 |
DOI:10.2307/43627985
JSTOR |
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Medieval French Plays, by Richard Axton, John Stevens (T.B.W. Reid) |
Medium Ævum Vol. 42, No. 2 (1973), 163-166 |
DOI:10.2307/43627910
JSTOR |
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Non-Cycle Plays and Fragments, (Early English Text Society, Supplementary Series No. 1), by Osborn Waterhouse, Norman Davis, F. Ll. Harrison (Richard Axton) |
Medium Ævum Vol. 41, No. 2 (1972), 157-161 |
DOI:10.2307/43627820
JSTOR |
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Le Théâtre Religieux en Savoie au XVIeSiecle avec des fragments inédits. (Publications Romanes et Françaises CXV), by Jacques Chocheyras (Graham A. Runnalls) |
Medium Ævum Vol. 41, No. 3 (1972), 280-283 |
DOI:10.2307/43627886
JSTOR |
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The Cornish Ordinalia: Religion and Dramaturgy, by Robert Longsworth (Richard Axton) |
Medium Ævum Vol. 38, No. 3 (1969), 327-328 |
DOI:10.2307/43627578
JSTOR |
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Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama, by O. B. Hardison Jr. (John Stevens) |
Medium Ævum Vol. 36, No. 3 (1967), 289-292 |
DOI:10.2307/43627383
JSTOR |
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Drama and Imagery in English Medieval Churches, by M. D. Anderson (W.O. Hassall) |
Medium Ævum Vol. 33, No. 3 (1964), 241-242 |
DOI:10.2307/43627131
JSTOR |
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Drama and Religion in the English Mystery Plays: a Re-evaluation, by Eleanor Prosser (P.M. Kean) |
Medium Ævum Vol. 32, No. 1 (1963), 77-79 |
DOI:10.2307/43627028
JSTOR |
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The Medieval Theatre in the Round, by Richard Southern (Glynne Wickham) |
Medium Ævum Vol. 28, No. 2 (1959), 138-139 |
DOI:10.2307/43631150
JSTOR |
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The Liturgical Drama in Medieval Spain. Pontifical Institute of Mediæval Studies (Studies and Texts 4), by Richard B. Donovan (Grace Frank) |
Medium Ævum Vol. 28, No. 3 (1959), 194-197 |
DOI:10.2307/43626819
JSTOR |
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La Fantaisie verbale et le Comique dans le théâtre français du Moyen Age à la fin du XVIIe siècle, by Robert Garapon (Austin Gill) |
Medium Ævum Vol. 27, No. 2 (1958), 135-135 |
DOI:10.2307/43626741
JSTOR |
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The Characterisation of Pilate in the Towneley Plays, by Arnold Williams (Nevill Coghill) |
Medium Ævum Vol. 21 (1952), 53-56 |
DOI:10.2307/43626445
JSTOR |
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Das europäische Theater im Mittelalter und in der Renaissance, by Hans Heinrich Borcherdt (Phyllis Abrahams) |
Medium Ævum Vol. 7, No. 1 (1938), 72-73 |
DOI:10.2307/43626077
JSTOR |
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Four Latin Plays of St. Nicholas from the twelfth century Fleury Play-book. Text and Commentary, with a study of the Music of the Plays, and of the Sources and Iconography of the Legends, by Otto E. Albrecht (Phyllis Abrahams) |
Medium Ævum Vol. 6, No. 3 (1937), 216-219 |
DOI:10.2307/43626050
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