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Lynette Muir

Liturgy and Drama in the Anglo-Norman Adam

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PAMELA M. KING Calendar and text: Christ's ministry in the York plays and the liturgy 67.1 (1998), 30-59 DOI:10.2307/43629958
FRED PORCHEDDU Devilish details: a new record of the Towneley Plays 83.1 (2014), 60- DOI:10.2307/43633055
PETER HAPPÉ Genre and fifteenth-century English drama: the case of Thomas Chaundler’s Liber apologeticus 82.1 (2013), 66- DOI:10.2307/43632970
Phyllis Abrahams THE MERCATOR-SCENES IN MEDIÆVAL FRENCH PASSION-PLAYS 3.2 (1934), 112-123 DOI:10.2307/43625896
Nevill Coghill The Characterisation of Pilate in the Towneley Plays, by Arnold Williams 21. (1952), 53-56 DOI:10.2307/43626445
J.H. Watkins The medieval French drama, by Grace Frank 24.1 (1955), 62-66 DOI:10.2307/43626577
Phyllis Abrahams Das europäische Theater im Mittelalter und in der Renaissance, by Hans Heinrich Borcherdt 7.1 (1938), 72-73 DOI:10.2307/43626077
P.M. Kean Drama and Religion in the English Mystery Plays: a Re-evaluation, by Eleanor Prosser 32.1 (1963), 77-79 DOI:10.2307/43627028
C.W. MARX The Devil at Baptism: Ritual, Theology, and Drama, by Henry Ansgar Kelly 57.1 (1988), 82-83 DOI:10.2307/43631427
Neville Denny The English Mystery Plays, by Rosemary Woolf 43.1 (1974), 84-87 DOI:10.2307/43627985
Neville Denny The Medieval Drama, by Sandro Sticca 43.1 (1974), 84-87 DOI:10.2307/43627985
Helen Phillips The Saint Play in Medieval Europe, Early Drama, Art, and Music Monograph Series, 8, by Clifford Davidson 57.1 (1988), 87-88 DOI:10.2307/43631432
Richard Beadle Contexts for Early English Drama, by Marianne G. Briscoe, John C. Coldewey 60.1 (1991), 121-122 DOI:10.2307/43629403
C.W. MARX English Medieval Theatre 1400—1500, by William Tydeman 57.1 (1988), 123-124 DOI:10.2307/43631460
ALAN J. FLETCHER The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages, by Gail McMurray Gibson 60.1 (1991), 123-124 DOI:10.2307/43629404
Daniel Wakelin Liam O. Purdon, The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding 73.1 (2004), 126-127 DOI:10.2307/43630715
Malcolm M. Brennan European Drama of the Early Middle Ages, by Richard Axton 45.1 (1976), 126-128 DOI:10.2307/43628186
Mark Campbell Chambers Fiona S. Dunlop, The Late Medieval Interlude: The Drama of Youth and Aristocratic Masculinity 77.1 (2008), 127-128 DOI:10.2307/43630605
Graham A. Runnalls Le Théâtre Religieux en Dauphiné du Mojen Age au XVIIIe siècle. (Publications Romanes et Françaises CXXVIII), by Jacques Chocheyras 45.1 (1976), 128-130 DOI:10.2307/43628187
Mark Campbell Chambers Sarah Carpenter and Meg Twycross, Masks and Masking in Medieval and Early Tudor England, Studies in Performance and Early Modern Drama 73.1 (2004), 129-131 DOI:10.2307/43630718
ALAN J. FLETCHER Richard Rastall, The Heaven Singing: Music in Early English Religious Drama, vol. I 67.1 (1998), 129-130 DOI:10.2307/43629975
ROGER PENSOM Evelyn Birge Vitz, Nancy Freeman Regalado, and Marilyn Lawrence (eds), Performing Medieval Narrative 75.1 (2006), 130-131 DOI:10.2307/43621032
Anne Hudson A Tretise of Miraclis Pleyinge, Western Michigan University, Early Drama, Art, and Music Monograph Series 19, by Clifford Davidson 64.1 (1995), 130-131 DOI:10.2307/43629695
Richard Beadle Illustrations of the Stage and Acting in England to 1580, Western Michigan University, Early Drama, Art and Music Monograph Series 16, by Clifford Davidson 64.1 (1995), 132-133 DOI:10.2307/43629697
JONATHAN HUGHES Religion in the Poetry and Drama of the Late Middle Ages in England, by Piero Boitani, Anna Torti 61.1 (1992), 133-134 DOI:10.2307/43632198
BEN PARSONS Andrew James Johnston, Performing the Middle Ages from Beowulf to Othello, Late Medieval and Early Modern Studies 15 79.1 (2010), 133-134 DOI:10.2307/43632394
Austin Gill La Fantaisie verbale et le Comique dans le théâtre français du Moyen Age à la fin du XVIIe siècle, by Robert Garapon 27.2 (1958), 135-135 DOI:10.2307/43626741
John Stevens Liturgy and Drama in the Anglo-Norman Adam. (Medium Ævum monographs n.s.3), by Lynette R. Muir 46.1 (1977), 135-138 DOI:10.2307/43621117
MÁIRE NÍ MHAONAIGH Alan J. Fletcher, Drama and the Performing Arts in Pre-Cromwellian Ireland: A Repertory of Sources and Documents from Earliest Times until c. 1642 71.1 (2002), 136-137 DOI:10.2307/43630405
BEN PARSONS Lynette R. Muir, Love and Conflict in Medieval Drama: The Plays and their Legacy 78.1 (2009), 136-137 DOI:10.2307/43632812
Glynne Wickham The Medieval Theatre in the Round, by Richard Southern 28.2 (1959), 138-139 DOI:10.2307/43631150
Mark Campbell Chambers Clifford Davidson, Festivals and Plays in Late Medieval Britain 79.1 (2010), 139-140 DOI:10.2307/43632399
PETER HAPPÉ Gordon Kipling, Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph 69.1 (2000), 139-140 DOI:10.2307/43631515
PETER HAPPÉ Greg Walker, The Politics of Performance in Early Renaissance Drama 69.1 (2000), 139-140 DOI:10.2307/43631515
Mark Campbell Chambers Ruth Niesse, Defining Acts: Drama and the Politics of Interpretation in Late Medieval England 76.1 (2007), 141-142 DOI:10.2307/43632318
ELISABETH SCHULZE-BUSACKER Nadine Henrard, Le Théâtre religieux médiéval en langue d'oc, Bibliothèque de la Faculté de Philosophie et Lettres de l'Université de Liège, Fascicule 273 73.1 (2004), 142-143 DOI:10.2307/43630727
Shami Ghosh Elina Gertsman, The Dance of Death in the Middle Ages: Image, Text, Performance 85.1 (2016), 144- DOI:10.2307/26396475
Brian Murdoch Alan M. Kent, The Theatre of Cornwall: Space, Place, Performance 81.1 (2012), 146- DOI:10.2307/43632907
SANDRA BILLINGTON Fools' Plays: a Study of Satire in the 'Sottie', by Heather Arden 50.1 (1981), 147-148 DOI:10.2307/43632092
John J. McGavin Clifford Davidson, with Sheila White, Corpus Christi Plays at York: A Context for Religious Drama 83.1 (2014), 148- DOI:10.2307/43633073
CYNTHIA J. BROWN Helen J. Swift, Gender, Writing and Performance: Men Defending Women in Late Medieval France (1440-1538), Oxford Modern Languages and Literature Monographs 78.1 (2009), 148-149 DOI:10.2307/43632822
SIMON B. GAUNT Evelyn Birge Vitz, Orality and Performance in Early French Romance 69.1 (2000), 148-149 DOI:10.2307/43631521
Mark Campbell Chambers Katie Normington, Gender and Medieval Drama, Gender in the Middle Ages 1 75.1 (2006), 152-153 DOI:10.2307/43621049
Christopher Page Studies in the Performance of Late Medieval Music, by Stanley Boorman 55.1 (1986), 154-155 DOI:10.2307/43628983
David Hook Geraldine Coates, Treacherous Foundations: Betrayal and Collective Identity in Early Spanish Epic, Chronicle, and Drama 82.1 (2013), 155- DOI:10.2307/43632993
Richard North Performing Definitions: Two Genres of Insult in Old Norse Literature, Studies in Scandinavian Literature and Culture, 3, by Karen Swenson 62.1 (1993), 156-156 DOI:10.2307/43629540
Richard Axton Non-Cycle Plays and Fragments, (Early English Text Society, Supplementary Series No. 1), by Osborn Waterhouse, Norman Davis, F. Ll. Harrison 41.2 (1972), 157-161 DOI:10.2307/43627820
Graham A. Runnalls Le théâtre sacré de la fin du moyen âge. Etude sur le sens moral de la 'Passion' de Jean Michel, (Publications Romanes et Françaises, 150), by Maurice Accarie 50.1 (1981), 161-163 DOI:10.2307/43632098
ALAN E. KNIGHT Graham A. Runnalls, Études sur les mystères: un recueil de 22 études sur les mystères français, suivi d'un répertoire du théâtre religieux français du moyen âge et d'une bibliographie, Champion-Varia 14 69.1 (2000), 161-162 DOI:10.2307/43631530
MAJA MIKULA James Wyatt Cook (trans.) , Antonia Pulci; Florentine Drama for Convent and Festival: Seven Sacred Plays 67.1 (1998), 162-162 DOI:10.2307/43630004
T.B.W. Reid Medieval French Plays, by Richard Axton, John Stevens 42.2 (1973), 163-166 DOI:10.2307/43627910
LYNN STALEY Susan Signe Morrison, Women Pilgrims in Late Medieval England: Private Piety as Public Performance 71.1 (2002), 163-164 DOI:10.2307/43630427
Carolyne Larrington Terry Gunnell, The Origins of Drama in Scandinavia 66.1 (1997), 167-168 DOI:10.2307/43629949
Mark Campbell Chambers

Nicole R. Rice and Margaret Aziza Pappano, The Civic Cycles: Artisan Drama and Identity in Premodern England (Mark Chambers)

86.1 (2017), 173- DOI:10.2307/26396518
Mark Campbell Chambers Nicole R. Rice and Margaret Aziza Pappano, The Civic Cycles: Artisan Drama and Identity in Premodern England 87.1 (2018), 175-
Margaret Thomas Die Gebärde im Drama des Mittelalters: Osterfeiern. Osterspiele. (Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 49), by Anke Roeder 47.1 (1978), 182-185 DOI:10.2307/43628354
Grace Frank The Liturgical Drama in Medieval Spain. Pontifical Institute of Mediæval Studies (Studies and Texts 4), by Richard B. Donovan 28.3 (1959), 194-197 DOI:10.2307/43626819
Phyllis Abrahams Four Latin Plays of St. Nicholas from the twelfth century Fleury Play-book. Text and Commentary, with a study of the Music of the Plays, and of the Sources and Iconography of the Legends, by Otto E. Albrecht 6.3 (1937), 216-219 DOI:10.2307/43626050
Alan H. Nelson The Medieval Theatre, by Glynne Wickham 45.2 (1976), 223-226 DOI:10.2307/43628210
W.O. Hassall Drama and Imagery in English Medieval Churches, by M. D. Anderson 33.3 (1964), 241-242 DOI:10.2307/43627131
Graham A. Runnalls Le Théâtre Religieux en Savoie au XVIeSiecle avec des fragments inédits. (Publications Romanes et Françaises CXV), by Jacques Chocheyras 41.3 (1972), 280-283 DOI:10.2307/43627886
John Stevens Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama, by O. B. Hardison Jr. 36.3 (1967), 289-292 DOI:10.2307/43627383
WILLIAM TYDEMAN The Biblical Drama of Medieval Europe, by Lynette R. Muir 65.2 (1996), 294-295 DOI:10.2307/43629854
Helen Phillips The Staging of Religious Drama in the Later Middle Ages: Texts and Documents in English Translation, by Peter Meredith, John E. Tailby 55.2 (1986), 295-296 DOI:10.2307/43629018
Richard Beadle From Creation to Doom: the York Cycle of Mystery Plays, by Clifford Davidson 55.2 (1986), 299-299 DOI:10.2307/43629020
Laurence Eldredge Nine Medieval Latin Plays, Cambridge Medieval Classics 1, by Peter Dronke 64.2 (1995), 304-305 DOI:10.2307/43633109
Richard Beadle Un Cycle du Théâtre Religieux Anglais du Moyen Âge, by Claude Gauvin 44.3 (1975), 305-307 DOI:10.2307/43628150
Antonia Fitzpatrick Alex J. Novikoff, The Medieval Culture of Disputation: Pedagogy, Practice, and Performance 83.2 (2014), 307-
Roger Ellis Chaucer's Drama of Style: Poetic Variety and Contrast in the 'Canterbury Tales', by C. David Benson 57.2 (1988), 310-312 DOI:10.2307/43629231
Nicolas Jacobs

Jongleur: a Modified Theory of Oral Improvisation and its Effects on the Performance and Transmission of Middle Engish Romance, by William A. Quinn, Audley S. Hall

53.2 (1984), 311-313 DOI:10.2307/43628838
WILLIAM TYDEMAN Patterns of Divine Comedy: a Study in Mediaeval English Drama, by R. D. S. Jack 59.2 (1990), 311-312 DOI:10.2307/43629351
PETER MEREDITH Medieval Theatre in Context: An Introduction, by John Wesley Harris 63.2 (1994), 311-312 DOI:10.2307/43629742
Helen Cooper Records of Early English Drama: Cambridge, by Alan H. Nelson 59.2 (1990), 312-313 DOI:10.2307/43629352
EDWARD WHEATLEY David Mills, Recycling the Cycle: The City of Chester and its Whitsun Plays, Studies in Early English Drama 4 69.2 (2000), 312-313 DOI:10.2307/43630306
C.W. MARX The York Plays, York Medieval Texts, second series, by Richard Beadle 54.2 (1985), 316-318 DOI:10.2307/43628923
Richard Beadle The N-Town Plays: A Facsimile of British Library MS Cotton Vespasian D VIII (Leeds Texts and Monographs: Medieval Drama Facsimiles 4), by Peter Meredith, Stanley J. Kahrl 48.2 (1979), 319-321 DOI:10.2307/43631404
Richard Beadle The Late Medieval Religious Plays of Bodleian MSS Digby 133 and e Museo 160, EETS, OS, 283, by Donald C. Baker, John L. Murphy, Louis B. Hall Jr 54.2 (1985), 319-320 DOI:10.2307/43628924
PAMELA M. KING The Towneley Plays, Early English Text Society, Supplementary Series 13, by Martin Stevens, A. C. Cawley 65.2 (1996), 320-321 DOI:10.2307/43629875
SARAH CARPENTER Fifteenth Century English Drama: the Early Moral Plays and their Literary Relations, by W. A. Davenport 53.2 (1984), 321-322 DOI:10.2307/43628844
RUTH EVANS Susan Crane, The Performance of Self: Ritual, Clothing and Identity during the Hundred Years War 72.2 (2003), 325-326 DOI:10.2307/43630515
NEIL THOMAS Adventure as Social Performance: a Study of the German Court Epic, Untersuchungen zur deutschen Literaturgeschichte, 52, by Will Hasty 60.2 (1991), 326-327 DOI:10.2307/43632603
Richard Axton The Cornish Ordinalia: Religion and Dramaturgy, by Robert Longsworth 38.3 (1969), 327-328 DOI:10.2307/43627578
N.S. THOMPSON Chaucer's Dante: Allegory and Epic Theater in 'The Canterbury Tales', by Richard Neuse 62.2 (1993), 327-328 DOI:10.2307/43629578
Joyce Coleman Linda Marie Zaerr, Performance and the Middle English Romance 83.2 (2014), 328-
Mark Campbell Chambers Penny Granger, The N-Town Play: Drama and Liturgy in Medieval East Anglia, Westfield Medieval Studies 79.2 (2010), 328-329 DOI:10.2307/43632439
JANE TOLMIE Pamela M. King and Clifford Davidson (eds), The Coventry Corpus Christi Plays, Early Drama, Art and Music Monograph Series 27 70.2 (2001), 330-331 DOI:10.2307/43632701
Mark Campbell Chambers Tony Corbett, The Laity, the Church and the Mystery Plays: A Drama of Belonging 79.2 (2010), 330-331 DOI:10.2307/43632440
Richard Beadle Alan J. Fletcher, Drama, Performance, and Polity in Pre-Cromwellian Ireland 70.2 (2001), 331-332 DOI:10.2307/43632702
Meg Twycross York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor 49.2 (1980), 332-336 DOI:10.2307/43628593
JOHN CALDWELL Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, by John Stevens 57.2 (1988), 333-335 DOI:10.2307/43629247
Mark Campbell Chambers Clifford Davison, History, Religion, and Violence: Cultural Contexts for Medieval and Renaissance English Drama, Variorum Collected Studies Series 72.2 (2003), 335-336 DOI:10.2307/43630523
MARIANNE AILES Andrew Cowell, The Medieval Warrior Aristocracy: Gift, Violence, Performance and the Sacred, Gallica 6 79.2 (2010), 335-335 DOI:10.2307/43632444
Jane Griffiths Greg Walker, Reading Literature Historically: Drama and Poetry from Chaucer to the Reformation 83.2 (2014), 336-
GARY P. CESTARO Word and Drama in Dante: Essays on the Divina Commedia, by John C. Barnes, Jennifer Petrie 64.2 (1995), 337-338 DOI:10.2307/43633135
Graham A. Runnalls Jean-Pierre Bordier, Le Jeu de la Passion: le message chrétien et le théâtre français (XIIIe-XVIe s.), Bibliothèque du XVe siècle 5 68.2 (1999), 337-340 DOI:10.2307/43630206
Mark Campbell Chambers

Claire Sponsler, The Queen’s Dumbshows: John Lydgate and the Making of Early Theater (Mark Chambers)

84.2 (2015), 338- DOI:10.2307/26396548
Mark Campbell Chambers Jennifer A. Low, Manhood and the Duel: Masculinity in Early Modern Drama and Culture, Early Modern Cultural Studies 73.2 (2004), 343-344 DOI:10.2307/43630574
Richard Beadle The Mediæval English Stage: Corpus Christi Pageants and Plays, by Alan Nelson 45.3 (1976), 347-350 DOI:10.2307/43628248
Daniel Wakelin

Peter Happé, Cyclic Form and the English Mystery Plays: A Comparative Study of the English Biblical Cycles and their Continental and Iconographie Counterparts, Ludus: Medieval and Early Renaissance Theatre and Drama 7

74.2 (2005), 349-350 DOI:10.2307/43632750
KATHERINE L. JANSEN Theresa Coletti, Mary Magdalene and the Drama of the Saints: Theater, Gender, and Religion in Late Medieval England, The Middle Ages Series 74.2 (2005), 350-352 DOI:10.2307/43632751
WILLIAM TYDEMAN Non-Cycle Plays and the Winchester Dialogues. Facsimiles of Plays and Fragments in Various Manuscripts and the Dialogues in Winchester College MS 33. With Introductions and a Transcript of the Dialogues. (Leeds Texts and Monographs; Medieval Drama Fascimiles, 5), by Norman Davis 50.2 (1981), 350-351 DOI:10.2307/43628639
BEN PARSONS John Parker, The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe 77.2 (2008), 350-351 DOI:10.2307/43632366
Daron Burrows Michael Freeman and Jane H. M. Taylor (eds), Villon at Oxford: The Drama of the Text. Proceedings of the Conference Held at St Hilda's College, Oxford, March 1996 71.2 (2002), 352-353 DOI:10.2307/43630479
ANNETTE VOLFING Kathryn Starkey, Reading the Medieval Book: Word, Image and Performance in Wolfram von Eschenbach's 'Willehalm', Poetics of Orality and Literacy 74.2 (2005), 355-356 DOI:10.2307/43632755
Mark Campbell Chambers Sarah Elliott Novacich, Shaping the Archive in Late Medieval England: History, Poetry, and Performance 87.2 (2018), 392-
Shorter Notices
Medieval and Early Modern Performance in the Eastern Mediterranean, ed. Arzu Öztürkmen and Evelyn Birge Vitz, Late Medieval and Early Modern Studies 20 84.1 (2015), 181-
Jay Zysk, Shadow and Substance: Eucharistic Controversy and English Drama across the Reformation Divide 90.1 (2021), 193-193
‘Beowulf ’ at Kalamazoo: Essays on Translation and Performance, ed. Jana K. Schulman and Paul E. Szarmach 84.2 (2015), 369- DOI:10.2307/26396561
Nigel Palmer

Performing Medieval Text, ed. Ardis Butterfield, Henry Hope, and Pauline Souleau

87.2 (2018), 415-
BEN PARSONS The N-Town Plays, ed. Douglas Sugano 78.2 (2009), 357-358 DOI:10.2307/43632865
Drama in English from the Middle Ages to the Early Twentieth Century: An Anthology of Pkays with Old Spellings, ed. Christopher J. Wheatley 86.2 (2017), 389- DOI:10.2307/26396441


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