ROGER PENSOM
ROGER PENSOM
INSIDE AND OUTSIDE: FACT AND FICTION IN "FOUKE LE FITZ WARYN" | 60 | MÆ 63.1 (1994), 53-60 | DOI:10.2307/43629615 | ||
THIBAUT DE CHAMPAGNE AND THE ART OF THE TROUVERE | 26 | MÆ 57.1 (1988), 1-26 | DOI:10.2307/43631418 |
ZUMTHOR AND AFTER: A SURVEY OF SOME CURRENT TRENDS IN THE READING OF OLD FRENCH LITERATURE |
306 | MÆ 62.2 (1993), 294-306 | DOI:10.2307/43629563 |
Brigitte Cazelles, Soundscape in Early French Literature | 332 | MÆ 76.2 (2007), 332-332 | DOI:10.2307/43633197 | ||
Evelyn Birge Vitz, Nancy Freeman Regalado, and Marilyn Lawrence (eds), Performing Medieval Narrative | 131 | MÆ 75.1 (2006), 130-131 | DOI:10.2307/43621032 | ||
Finn E. Sinclair, Milk and Blood: Gender and Genealogy in the ‘Chanson de Geste’ | 349 | MÆ 73.2 (2004), 348-349 | DOI:10.2307/43630578 | ||
Charles Ridoux, Évolution des études médiévales en France de 1860 à 1914 | 117 | MÆ 72.1 (2003), 116-117 | DOI:10.2307/43630640 | ||
Francis Dubost, Le Conte du Graal ou l'art de faire signe, Unichamp 71 | 153 | MÆ 69.1 (2000), 152-153 | DOI:10.2307/43631524 | ||
Susan E. Bécam, Rhyme in Gace Brulé's Lyric: Formal and Semantic Interplay | 342 | MÆ 68.2 (1999), 340-342 | DOI:10.2307/43630207 | ||
Emmanuele Baumgartner (comm.), Poésies de François Villon. Foliothèque 72 | 353 | MÆ 68.2 (1999), 352-353 | DOI:10.2307/43630216 | ||
L'Art métrique de la chanson de geste: Essai sur la musicalité du récit, by Edward A. Heinemann | 326 | MÆ 64.2 (1995), 325-326 | DOI:10.2307/43633125 | ||
The Broken Pot Restored: 'Le Jeu de la Feuillée' of Adam de la Halle, by Gordon Douglas McGregor, Karl D. Uitti, Joseph Miller | 146 | MÆ 62.1 (1993), 145-146 | DOI:10.2307/43629531 | ||
The Song of Roland: a Generative Study of the Formulaic Language in the Single Combat, Faux Titre, 20, by Genette Ashby-Beach | 330 | MÆ 56.2 (1987), 329-330 | DOI:10.2307/43629119 |