David Hook
David Hook
| THE EXEMPLUM OF THE EAGLE AND THE HUNTER ("LIBRO DE BUEN AMOR" 270-2) | 86 | MÆ 62.1 (1993), 83-86 | DOI:10.2307/43629500 |
| Crónica de la población de Ávila, ed. Manuel Abeledo | MÆ 82.1 (2013), 175- | DOI:10.2307/43633003 |
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Daniel Gutiérrez Trápaga, Rewritings, Sequels, and Cycles in Sixteenth-Century Castilian Romances of Chivalry |
424 | MÆ 88.2 (2019), 423-424 | |||
| Geraldine Coates, Treacherous Foundations: Betrayal and Collective Identity in Early Spanish Epic, Chronicle, and Drama | MÆ 82.1 (2013), 155- | DOI:10.2307/43632993 | |||
| Irene Zaderenko, Problemas de autoría, de estructura y de fuentes en el 'Poema de mio Cid', Poetria nova 5 | 166 | MÆ 69.1 (2000), 164-166 | DOI:10.2307/43631533 | ||
| The Poet's Art: Literary Theory in Castile c. 1400-60, Medium Ævum Monographs, n.s. 14, by Julian Weiss | 324 | MÆ 60.2 (1991), 322-324 | DOI:10.2307/43632601 | ||
| Seneca and 'Celestina', by Louise Fothergill-Payne | 176 | MÆ 59.1 (1990), 175-176 | DOI:10.2307/43629325 | ||
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'PENSASTES EL MUNDO POR VOS TRASTORNAR': THE WORLD UPSIDE-DOWN IN THE "DANÇA GENERAL DE LA MUERTE" |
101 | MÆ 48.1 (1979), 90-101 | DOI:10.2307/43628418 | ||
| The Poem of the Cid, (Twayne's World Authors Series 378), by Edmund de Chasca | 328 | MÆ 46.2 (1977), 327-328 | DOI:10.2307/43628295 |
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Le Roman arthurien du Pseudo-Robert de Boron en France et dans la Péninsule Ibérique, ed. Paloma Gracia and Alejandro Casais |
MÆ 91.1 (2022), 179- |