Mark Campbell Chambers
Mark Campbell Chambers
| The Croxton Play of the Sacrament, ed. John T. Sebastian | MÆ 83.2 (2014), 361- |
| Sarah Elliott Novacich, Shaping the Archive in Late Medieval England: History, Poetry, and Performance | MÆ 87.2 (2018), 392- | ||||
| Nicole R. Rice and Margaret Aziza Pappano, The Civic Cycles: Artisan Drama and Identity in Premodern England | MÆ 87.1 (2018), 175- | ||||
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Nicole R. Rice and Margaret Aziza Pappano, The Civic Cycles: Artisan Drama and Identity in Premodern England (Mark Chambers) |
MÆ 86.1 (2017), 173- | DOI:10.2307/26396518 | |||
| Laura F. Hodges. Chaucer and Array: Patterns of Costume and Fabric Rhetoric in the ‘Canterbury Tales’, ‘Troilus and Criseyde’ and Other Works | MÆ 85.1 (2016), 151- | DOI:10.2307/26396480 | |||
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Claire Sponsler, The Queen’s Dumbshows: John Lydgate and the Making of Early Theater (Mark Chambers) |
MÆ 84.2 (2015), 338- | DOI:10.2307/26396548 | |||
| Nicole D. Smith, Sartorial Strategies: Outfitting Aristocrats and Fashioning Conduct in Late Medieval Literature | MÆ 83.2 (2014), 317- | ||||
| Tony Corbett, The Laity, the Church and the Mystery Plays: A Drama of Belonging | 331 | MÆ 79.2 (2010), 330-331 | DOI:10.2307/43632440 | ||
| Penny Granger, The N-Town Play: Drama and Liturgy in Medieval East Anglia, Westfield Medieval Studies | 329 | MÆ 79.2 (2010), 328-329 | DOI:10.2307/43632439 | ||
| Clifford Davidson, Festivals and Plays in Late Medieval Britain | 140 | MÆ 79.1 (2010), 139-140 | DOI:10.2307/43632399 | ||
| Karl Tamburr, The Harrowing of Hell in Medieval England | 125 | MÆ 77.1 (2008), 124-125 | DOI:10.2307/43630602 | ||
| Fiona S. Dunlop, The Late Medieval Interlude: The Drama of Youth and Aristocratic Masculinity | 128 | MÆ 77.1 (2008), 127-128 | DOI:10.2307/43630605 | ||
| Ruth Niesse, Defining Acts: Drama and the Politics of Interpretation in Late Medieval England | 142 | MÆ 76.1 (2007), 141-142 | DOI:10.2307/43632318 | ||
| Katie Normington, Gender and Medieval Drama, Gender in the Middle Ages 1 | 153 | MÆ 75.1 (2006), 152-153 | DOI:10.2307/43621049 | ||
| Jennifer A. Low, Manhood and the Duel: Masculinity in Early Modern Drama and Culture, Early Modern Cultural Studies | 344 | MÆ 73.2 (2004), 343-344 | DOI:10.2307/43630574 | ||
| Sarah Carpenter and Meg Twycross, Masks and Masking in Medieval and Early Tudor England, Studies in Performance and Early Modern Drama | 131 | MÆ 73.1 (2004), 129-131 | DOI:10.2307/43630718 | ||
| Clifford Davison, History, Religion, and Violence: Cultural Contexts for Medieval and Renaissance English Drama, Variorum Collected Studies Series | 336 | MÆ 72.2 (2003), 335-336 | DOI:10.2307/43630523 |