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Marie-Noëlle Toury, Mort et fin’ amor dans la poésie d’oc et d’oïl aux XIIe et XIIIe siècles |
72.2 (2003), 341-342 |
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DOI:10.2307/43630528 |
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Caroline A. Jewers, Chivalric Fiction and the History of the Novel |
71.1 (2002), 149-149 |
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DOI:10.2307/43630415 |
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Evelyn Birge Vitz, Orality and Performance in Early French Romance |
69.1 (2000), 148-149 |
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DOI:10.2307/43631521 |
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Shaping Romance: Interpretation, Truth and Closure in Twelfth-Century French Fictions, by Matilda Tomaryn Bruckner |
64.1 (1995), 136-137 |
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DOI:10.2307/43629701 |
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Silence: A Thirteenth-Century French Romance, by Sarah Roche-Mahdi |
63.1 (1994), 146-147 |
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DOI:10.2307/43629643 |
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The Syntax of Medieval Occitan, Beihefte zur Zeitschrift für romanische Philologie, 208, by Frede Jensen |
61.2 (1992), 328-329 |
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DOI:10.2307/43629458 |
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Memory and Re-Creation in Troubadour Lyric, by Amelia E. Van Vleck |
61.2 (1992), 330-331 |
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DOI:10.2307/43629460 |
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Razos and Troubadour Songs, Garland Library of Medieval Literature, Series B, 71, by William E. Burgwinkle |
61.1 (1992), 138-139 |
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DOI:10.2307/43632203 |
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The Troubadour Marcabru and Love, Westfield Publications in Medieval Studies, 3, by Ruth E. Harvey |
59.2 (1990), 330-331 |
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DOI:10.2307/43629368 |
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Actes du premier congrès international de l'Association Internationale d'Etudes Occitanes, by Peter T. Ricketts |
58.1 (1989), 174-175 |
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DOI:10.2307/43632552 |
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The Poetry of Sordello, Garland Library of Medieval Literature, Series A, 42, by James J. Wilhelm |
58.1 (1989), 181-182 |
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DOI:10.2307/43632558 |
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