Ian P. Wei, Thinking about Animals in Thirteenth-Century Paris: Theologians on the Boundary between Humans and Animals |
90.2 (2021), 339- |
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Deborah McGrady, The Writer’s Gift or the Patron’s Pleasure? The Literary Economy in Late Medieval France
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89.1 (2020), 180-182 |
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Julie Singer, Representing Mental Illness in Late Medieval France: Machines, Madness, Metaphor
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88.1 (2019), 171- |
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Sylvie Meyer, Le Roman d’aventure médiéval entre convention et subversion (XIIe–XIIIe siècles): accidents de parcours
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88.1 (2019), 168- |
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Jonathan Morton, The ‘Roman de la rose’ in its Philosophical Context: Art, Nature, and Ethics
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88.1 (2019), 170- |
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Jerry Root, The Theophilus Legend in Medieval Text and Image |
87.1 (2018), 179- |
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Wendy Marie Hoofnagle, The Continuity of the Conquest: Charlemagne and Anglo-Norman Imperialism |
87.2 (2018), 379- |
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Miranda Griffin, Transforming Tales: Rewriting Metamorphosis in Medieval French Literature
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86.1 (2017), 177- |
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Milena Mikhaïlova-Makarius, Amour au miroir: Les Fables du fantasme ou la voi lyrique du roman medieval
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86.1 (2017), 179- |
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DOI:10.2307/26396522 |
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Jane H. M. Taylor, Rewriting Arthurian Romance in Renaissance France: From Manuscript to Printed Book
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86.1 (2017), 181- |
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DOI:10.2307/26396524 |
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Catalina Girbea, Le Bon Sarrasin dans le roman médiéval (1100–1225) (Sylvia Huot)
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85.2 (2016), 342- |
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Megan Moore, Exchanges in Exoticism: Cross-Cultural Marriage and the Making of the Mediterranean in Old French Romance (S.H) |
84.2 (2015), 347- |
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DOI:10.2307/26396555 |
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Gabriella I. Baika, The Rose and Geryon: The Poetics of Fraud and Violence in Jean de Meun and Dante |
84.2 (2015), 348- |
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DOI:10.2307/26396556 |
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Joni M. Hand, Women, Manuscripts and Identity in Northern Europe, 1350–1550 |
83.1 (2014), 132- |
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DOI:10.2307/43633061 |
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Ji-hyun Philippa Kim, Pour une littérature médiévale moderne: Gaston Paris, l’amour courtois et les enjeux de la modernité |
83.1 (2014), 153- |
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DOI:10.2307/43633077 |
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Nicole Chareyron, Ethique et esthétique du récit de voyage à la fin du Moyen Age |
83.1 (2014), 154- |
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DOI:10.2307/43633078 |
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Simon Gaunt, Marco Polo’s ‘Le Devisement du Monde’: Narrative Voice, Language and Diversity |
83.1 (2014), 155- |
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DOI:10.2307/43633079 |
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Elizabeth J. Moodey, Illuminated Crusader Histories for Philip the Good of Burgundy |
83.1 (2014), 164- |
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DOI:10.2307/43633086 |
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Jean Flori, Chroniqueurs et propagandistes |
82.1 (2013), 151- |
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DOI:10.2307/43632990 |
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David Rollo, Kiss my Relics: Hermaphroditic Fictions of the Middle Ages |
82.1 (2013), 133- |
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DOI:10.2307/43632975 |
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Raymond J. Cormier, The Methods of Medieval Translators: A Comparison of the Latin Text of Virgil’s ‘Aeneid’ with its Old French Adaptations |
82.1 (2013), 150- |
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DOI:10.2307/43632989 |
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Alain Corbellari, Guillaume d’Orange, ou la naissance du héros médiéval |
81.1 (2012), 156- |
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DOI:10.2307/43632913 |
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Christine Ferlampin-Acher, ‘Perceforest’ et Zéphir: Propositions autour d’un récit arthurien bourguignon |
81.1 (2012), 160- |
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DOI:10.2307/43632917 |
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Anne Ibos-Augé, Chanter et lire dans le récit médiéval: La fonction des insertions lyriques dans les œuvres narratives et didactiques d’oïl aux XIIIe et XIVe siècles |
81.1 (2012), 162- |
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DOI:10.2307/43632918 |
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Nadia Margolis, An Introduction to Christine de Pizan |
81.1 (2012), 163- |
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DOI:10.2307/43632919 |
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Armelle Leclercq, Portraits croisés: L’Image des Francs et des Musulmans dans les textes sur la Première Croisade: Chroniques latines et arabes, chansons de geste françaises des XIIe et XIIIe siècles |
80.1 (2011), 148- |
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DOI:10.2307/43632492 |
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Gabriela Tanase, Jeux de masques, jeux de ruses dans la littérature française médiévale (XIIe–XVe siècles) |
80.1 (2011), 143- |
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DOI:10.2307/43632488 |
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Karen Ueltschi, La Main coupée: Métonymie et mémoire mythique |
80.1 (2011), 145- |
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DOI:10.2307/43632489 |
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Suzanne Conklin Akbari, Idols in the East: European Representations of Islam and the Orient, 1100-1450 |
79.1 (2010), 131-132 |
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DOI:10.2307/43632392 |
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Molly Robinson Kelly, The Hero’s Place: Medieval Literary Traditions of Space and Belonging |
79.2 (2010), 337-338 |
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DOI:10.2307/43632446 |
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Jane H. M. Taylor, The Making of Poetry: Late-Medieval French Poetic Anthologies, Texts and Transitions: Studies in the History of Manuscripts and Printed Books 1 |
78.1 (2009), 149-150 |
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DOI:10.2307/43632823 |
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Geri L. Smith, The Medieval French Pastourelle Tradition: Poetic Motivations and Generic Transformations |
78.2 (2009), 345-346 |
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DOI:10.2307/43632858 |
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Suzanne Kocher, Allegories of Love in Marguerite Porete's 'Mirror of Simple Souls', Medieval Women: Texts and Contexts 17 |
78.2 (2009), 346-347 |
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DOI:10.2307/43632859 |
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Fabienne Pomel, Les Voies de l’au-delà et l’essor de l’allégorie au Moyen Âge |
72.1 (2003), 146-147 |
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DOI:10.2307/43630665 |
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Alcuin Blamires and Gail C. Holian, The 'Romance of the Rose' Illuminated: Manuscripts at the National Library of Wales, Medieval and Renaissance Texts and Studies 223 |
72.1 (2003), 153-154 |
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DOI:10.2307/43630672 |
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Daniel Leech-Wilkinson (ed.) and R. Barton Palmer (trans.), Guillaume de Machaut; Le Livre dou voir dit (The Book of the True Poem), Garland Library of Medieval Literature 106A |
70.1 (2001), 151-152 |
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DOI:10.2307/43630368 |
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Paul Imbs (ed. and trans.), with Jacqueline Cerquiglini-Toulet and Noël Musso, Guillaume de Machaut; Le Livre dou voir dit (Le Dit véridique) |
70.1 (2001), 151-152 |
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DOI:10.2307/43630368 |
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Catherine Attwood, Dynamic Dichotomy: The Poetic 'I' in Fourteenth- and Fifteenth-Century French Lyric Poetry, Faux Titre 149 |
69.1 (2000), 158-159 |
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DOI:10.2307/43631528 |
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Renate Blumenfield-Kosinski, Reading Myth: Classical Mythology and its Interpretations in Medieval French Literature |
68.2 (1999), 333-334 |
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DOI:10.2307/43630204 |
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J. Keith Atkinson (ed.), Boeces: De Consolacion, Édition critique d'après le manuscrit Paris, Bibl. nationale fr. 1096, avec introduction, variantes, notes et glossaires, Beihefte zur Zeitschrift für romanische Philologie 277 |
67.1 (1998), 156-157 |
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DOI:10.2307/43629999 |
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Douglas Kelly, Internal Differences and Meanings in the Roman de la Rose |
67.2 (1998), 344-345 |
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DOI:10.2307/43630046 |
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