K.P. Clarke
K.P. Clarke
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On Light |
(MÆM HSOL), - |
| Iacopone da Todi: Laude, ed. Matteo Leonardi | MÆ 81.1 (2012), 176- | DOI:10.2307/43632925 |
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Kathryn McKinley, Chaucer’s House of Fame and its Boccaccian Intertexts: Image, Vision, and the Vernacular |
MÆ 88.1 (2019), 166- | ||||
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Nick Havely, Dante’s British Publics: Readers and Texts, from the Fourteenth Century to the Present (Kenneth Clarke) |
MÆ 85.2 (2016), 347- | DOI:10.2307/26396392 | |||
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Maria Luisa Ardizzone, Dante: il paradigma intellettuale: Un’inventio degli anni fiorentini (K. P. Clarke) |
MÆ 84.1 (2015), 161- | ||||
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Martin Eisner, Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular (K. P. Clarke) |
MÆ 84.1 (2015), 162- | ||||
| Karl Steel, How to Make a Human: Animals and Violence in the Middle Ages | MÆ 82.2 (2013), 318- | DOI:10.2307/43633015 | |||
| Rhiannon Daniels, Boccaccio and the Book: Production and Reading in Italy 1340—1520, Italian Perspectives 19 | 343 | MÆ 79.2 (2010), 342-343 | DOI:10.2307/43632450 |
| The Decameron Third Day in Perspective: Volume Three of the Lectura Boccaccii, ed. Francesco Ciabattoni and Pier Massimo Forni | MÆ 86.1 (2017), 204- | DOI:10.2307/26396528 |