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M.A. Grellner |
The Roman de la Rose: A Study in Allegory and Iconography, by John V. Fleming |
42.1 (1973), 69-73 |
DOI:10.2307/43627845 |
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Éamonn Ó Carragáin |
Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival, Cambridge Studies in Anglo-Saxon England, 1, by Barbara Raw |
61.1 (1992), 116-117 |
DOI:10.2307/43632183 |
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Anne Hudson |
Kathryn Kerby-Fulton and Denise L. Despres, Iconography and the Professional Reader: The Politics of Book Production in the Douce 'Piers Plowman' |
69.1 (2000), 131-132 |
DOI:10.2307/43631509 |
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JOHN C. HIRSH |
Naoë Kukita Yoshikawa, Margery Kempe's Meditations: The Context of Medieval Devotional Literature, Liturgy and Iconography, Religion and Culture in the Middle Ages |
77.1 (2008), 136-137 |
DOI:10.2307/43630611 |
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C. David Benson |
Seeable Signs: The Iconography of the Seven Sacraments 1350—1544, by Ann Eljenholm Nichols |
65.1 (1996), 138-139 |
DOI:10.2307/43629815 |
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Jeremy Lawrance |
Iconography in Medieval Spanish Literature, by John E. Keller, Richard P. Kinkade |
55.1 (1986), 152-153 |
DOI:10.2307/43628981 |
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J.A.W. Bennett |
Essays on Medieval German Literature and Iconography. (Anglica Germanica Series, 2), by F. P. Pickering |
50.1 (1981), 156-157 |
DOI:10.2307/43632096 |
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Kathleen Morand |
Text and Iconography for Joinville's 'Credo', (Publications of the Mediæval Academy of America, 68), by Lionel J. Friedman |
28.3 (1959), 213-215 |
DOI:10.2307/43626826 |
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Phyllis Abrahams |
Four Latin Plays of St. Nicholas from the twelfth century Fleury Play-book. Text and Commentary, with a study of the Music of the Plays, and of the Sources and Iconography of the Legends, by Otto E. Albrecht |
6.3 (1937), 216-219 |
DOI:10.2307/43626050 |
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C. David Benson |
The Iconography of the Mouth of Hell, by Gary D. Schmidt |
65.2 (1996), 301-301 |
DOI:10.2307/43629859 |
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