R.W. Hunt |
Initia carminum ac versuum medii aevi posterioris latinorum . . ., Ergänzungen und Berichtigungen zur I. Auflage von 1959. (Sonderausgabe der Seiten 1187-1378 aus der 2. Auflage), by Alfons Hilkas, Hans Walther |
40.1 (1971), 64-66 |
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F.J.E. Raby |
Bibliotheca Scriptorum Medii Recentisque Aevorum. Compendium in Vitam Cosmi Medicis ad Laurentium Medicem, De egregie, sapienter, iocose dictis ac factis Regis Mathiae . . . liber, De Laudibus Bellicis Mathiae Corvini Hungariae Regis, Borsias (fragmenta), Bucolicon Liber, Quattuor libri Amorum, Germania Generalis, Epithalamium, Elegiarum Libri iii ad Laurentium Medicen, Oratio de Divo Leopoldo iii Austriae Marchione, Carmina, Carmina, by Redigit Ladislaus Juhász, B. G. Teubner, Amerigus Corsinus, L. Juhász, Galeottus Martius Narniensis, Alexander Cortesius, I. Fógel, Titus Vespasianus Strozza, Conradus Celtis Protucius, F. Pindter, Matthaeus Andronicus Tragurinus, Naldus de Naldis Florentinus, Thomas Stretzinger, H. Maschek, Nicolaus Olahus, Nicolaus Istvanffy, I. Holub |
6.1 (1937), 70-71 |
DOI:10.2307/43626031 |
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R.W. Hunt |
Initia Carminum Latinorum Saeculo Undecimo Antiquiorum, by Dieter Schaller, Ewald Köngsen, John Tagliabue |
49.1 (1980), 105-106 |
DOI:10.2307/43628517 |
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JANE STEVENSON |
Visible Song: Transitional Literacy in Old English Verse, Cambridge Studies in Anglo-Saxon England, 4, by Katherine O'Brien O'Keeffe |
61.1 (1992), 117-118 |
DOI:10.2307/43632184 |
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Anne Hudson |
Michael P. Kuczynski, Prophetic Song: The Psalms as Moral Discourse in Late Medieval England |
66.1 (1997), 123-124 |
DOI:10.2307/43629913 |
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Anne Hudson |
Lawrence M. Clopper, 'Songs of Rechelesnesse': Langland and the Franciscans |
68.1 (1999), 129-130 |
DOI:10.2307/43630147 |
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R.W. Hunt |
Carmina medii aevi posterioris latina: I Initia carminum ac versuum medii aevi posterioris latinorum. Alphabetisches Verzeichnis der Versanfänge mittellateinischen Dichtungen, by Alfons Hilkas, Hans Walther |
29.2 (1960), 130-132 |
DOI:10.2307/43626858 |
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PHILIP E. BENNETT |
The Song in the Story: Lyric Insertions in French Narrative Fiction, 1200-1400, by Maureen Boulton |
64.1 (1995), 134-135 |
DOI:10.2307/43629699 |
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John Scattergood |
'Many a Song and Many a Leccherous Lay': Tradition and Individuality in Chaucer's Lyric Poetry, Garland Studies in Medieval Literature 6, by Jay Ruud |
63.1 (1994), 135-136 |
DOI:10.2307/43629634 |
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SIMON B. GAUNT |
Razos and Troubadour Songs, Garland Library of Medieval Literature, Series B, 71, by William E. Burgwinkle |
61.1 (1992), 138-139 |
DOI:10.2307/43632203 |
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Barry Windeatt |
Denis Renevey, Language, Self and Love: Hermeneutics in the Writings of Richard Rolle and the Commentaries on the Song of Songs |
76.1 (2007), 138-139 |
DOI:10.2307/43632316 |
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JOHN C. HIRSH |
Katherine Zieman, Singing the New Song: Literacy and Liturgy in Late Medieval England, The Middle Ages Series |
78.1 (2009), 141-142 |
DOI:10.2307/43632816 |
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PETER T. RICKETTS |
Ronnie Apter and Mark Herman (trans.), A Bilingual Edition of the Love Songs of Bernart de Ventadorn in Occitan and English: Sugar and Salt, Studies in Medieval Literature 17 |
70.1 (2001), 143-144 |
DOI:10.2307/43630361 |
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Linda M. Paterson |
Matilda Tomaryn Bruckner, Laurie Shepard, and Sarah White (eds and trans.), Songs of the Women Troubadours |
69.1 (2000), 144-146 |
DOI:10.2307/43631518 |
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NIGEL WILKINS |
The Monophonic Songs in the 'Roman de Fauvel', by Samuel N. Rosenberg, Hans Tischler |
62.1 (1993), 148-149 |
DOI:10.2307/43629534 |
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NICHOLAS MANN |
Convenevole da Prato: Regia Carmina dedicati a Roberto d'Angio re di Sicilia e di Gerusalemme, by Cesare Grassi, Marco Ciatti, Aldo Petri |
55.1 (1986), 149-150 |
DOI:10.2307/43628979 |
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N.S. THOMPSON |
The Song of Troilus: Lyric Authority in the Medieval Book, by Thomas C. Stillinger |
63.1 (1994), 157-158 |
DOI:10.2307/43629652 |
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ANNETTE VOLFING |
Suzanne LaVere, Out of the Cloister: Scholastic Exegesis of the Song of Songs, 1100–1250 (Annette Volfing)
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86.1 (2017), 158- |
DOI:10.2307/26396508 |
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Nicholas Bleisch |
Yolanda Plumley, The Art of Grafted Song: Citation and Allusion in the Age of Machaut |
85.1 (2016), 159- |
DOI:10.2307/26396486 |
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Linda M. Paterson |
The Song of Roland: Formulaic Style and Poetic Craft, by Joseph J. Duggan |
44.1 (1975), 164-166 |
DOI:10.2307/43628107 |
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ARDIS BUTTERFIELD |
From Song to Book: the Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry, by Sylvia Huot |
58.1 (1989), 165-166 |
DOI:10.2307/43632545 |
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Brian Murdoch |
Rodney W. Fisher, The Minnesinger Heinrich von Morungen: An Introduction to his Songs |
67.1 (1998), 166-168 |
DOI:10.2307/43630008 |
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David G. Pattison |
The Language of Evaluation: a Sociolinguistic Approach to the Story of Pedro el Cruel in Ballad and Chronicle, Purdue University Monographs in Romance Languages 20, by Louise Mirrer-Singer |
58.1 (1989), 182-184 |
DOI:10.2307/43632559 |
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F.J.E. Raby |
Carmina, by Bartholomaeus Fontius, I. Fógel, L. Juhász |
3.3 (1934), 212-214 |
DOI:10.2307/43625918 |
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F.J.E. Raby |
Carmina, by Galeottus Martius, L. Juhász |
3.3 (1934), 212-214 |
DOI:10.2307/43625918 |
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A.B. Scott |
Bernardi Cluniacensis carmina De Trinitate et de fide cattolica, De castitate servanda, in libros Regum, De octo vitiis, (Studia Latina Stockholmiensia XI), by Katarina Halvarson |
33.3 (1964), 220-222 |
DOI:10.2307/43627124 |
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Douglas J. McMillan |
Danish Ballads and Folk Songs, by Erik Dal, Henry Meyer |
37.2 (1968), 221-223 |
DOI:10.2307/43627450 |
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P.G. Walsh |
Hildebertus: Carmina Minora, by A. B. Scott |
41.3 (1972), 244-246 |
DOI:10.2307/43627869 |
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Peter Rickard |
The Song of Songs: A twelfth-century French version, by Cedric E. Pickford |
43.3 (1974), 273-275 |
DOI:10.2307/43628041 |
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CAROLINNE WHITE |
C. Wollin, Petri Blesensis carmina. Corpus Christianorum, Continuado Medievalis 128 |
68.2 (1999), 314-315 |
DOI:10.2307/43630189 |
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Nigel Palmer |
Martin H. Jones (ed.), The Carmina burana: Four Essays, King's College London Medieval Studies XVIII |
70.2 (2001), 315-315 |
DOI:10.2307/43632689 |
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S.J. HARRISON |
Thomas M. S. Lehtonen, Fortuna, Money and the Sublunar World· Twelfth-Century Ethical Poetics and the Satirical Poetry of the 'Carmina Burana' |
66.2 (1997), 321-322 |
DOI:10.2307/43630084 |
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Helen Cooper |
Petrarch's 'Bucolicum Carmen', by Thomas G. Bergin, Deane Keller |
44.3 (1975), 325-327 |
DOI:10.2307/43628159 |
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ROGER PENSOM |
The Song of Roland: a Generative Study of the Formulaic Language in the Single Combat, Faux Titre, 20, by Genette Ashby-Beach |
56.2 (1987), 329-330 |
DOI:10.2307/43629119 |
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DAVID MAW |
Mary O’Neill, Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire, Oxford Monographs in Music< |
76.2 (2007), 334-335 |
DOI:10.2307/43633199 |
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THOMAS G. DUNCAN |
Medieval English Songs, by E. J. Dobson, Frank Ll. Harrison |
50.2 (1981), 338-341 |
DOI:10.2307/43628634 |
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Helen Cooper |
Andrew Taylor, The Songs and Travels of a Tudor Minstrel: Richard Sheale of Tamworth |
83.2 (2014), 344- |
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R. SHARPE |
'Carmina Burana'. Texte und Übersetzungen. Mit den Miniaturen aus der Handschrift, Bibliothek des Mittelalters, 13, by Benedikt Konrad Vollmann, Peter Diemer, Dorothee Diemer |
61.2 (1992), 352-353 |
DOI:10.2307/43629479 |
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Nicholas W. Bleisch |
Robert de Reims, Songs and Motets, ed., trans.,, and introd. Eglal Doss-Quiny, Gaël Saint-Cricq,, and Samuel N. Rosenberg
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90.2 (2021), 367-368 |
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Stephanie L. Hathaway |
Stefan Vander Elst, The Knight, The Cross, and the Song: Crusade Propaganda and Chivalric Literature, 1100 –1400 |
87.2 (2018), 375- |
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