G.L. Brook |
Religious lyrics of the XVth century, by Carleton Brown |
10.1 (1941), 26-28 |
DOI:10.2307/43621137 |
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Anthony Gervase Mathew |
Medieval Latin and the Rise of European Love Lyric. Vol. I. Problems and Interpretations, by Peter Dronke |
36.1 (1967), 49-52 |
DOI:10.2307/43627313 |
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R.C. Johnston |
Rigaut de Berbezilh, Liriche, by Alberto Varvaro |
30.1 (1961), 51-52 |
DOI:10.2307/43626901 |
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C. Foligno |
The Influence of Dante and Petrarch on certain of Boccaccio's lyrics, by Gordon Routledge Silber |
10.1 (1941), 54-55 |
DOI:10.2307/43621144 |
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Nigel Abercrombie |
The Medieval Latin and Romance Lyric, by F. Brittain |
8.1 (1939), 57-62 |
DOI:10.2307/43626122 |
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Rachel Bromwich |
Medieval Welsh Lyrics, by Joseph P. Clancy |
36.1 (1967), 62-66 |
DOI:10.2307/43627319 |
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Helen C.R. Laurie |
The Mirror of Narcissus in the Courtly Love Lyric, by Frederick Goldin |
38.1 (1969), 67-70 |
DOI:10.2307/43627507 |
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W.E. Collinson |
Essays on the mediæval German love lyric with translations in English verse and a facsimile, by Margaret Fitzgerald Richey |
13. (1944), 71-74 |
DOI:10.2307/43626291 |
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Susie I. Tucker |
The Early English and Celtic Lyric, by P. L. Henry |
37.1 (1968), 71-73 |
DOI:10.2307/43627398 |
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John Stevens |
The English Religions Lyric in the Middle Ages, by Rosemary Woolf |
40.1 (1971), 72-74 |
DOI:10.2307/43627705 |
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G.L. Brook |
English Lyrics of the XIIIth Century, by Carleton Brown |
2.1 (1933), 88-92 |
DOI:10.2307/43625853 |
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John Stevens |
Themes and Images in the Medieval English Religions Lyric, by Douglas Gray |
44.1 (1975), 90-92 |
DOI:10.2307/43628090 |
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MICHAEL J. FRANKLIN |
Manuscripts of English Courtly Love Lyrics in the Later Middle Ages, by Julia Boffey |
57.1 (1988), 114-115 |
DOI:10.2307/43631453 |
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John Stevens |
Ratio and Invention: a Study of Medieval Lyric and Narrative, by Robert R. Edwards |
60.1 (1991), 124-125 |
DOI:10.2307/43629405 |
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Rosemary Woolf |
The Advent Lyrics of the Exeter Book, by Jackson J. Campbell |
29.2 (1960), 125-129 |
DOI:10.2307/43626856 |
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Helen Cooper |
A. C. Spearing, Textual Subjectivity: The Encoding of Subjectivity in Medieval Narratives and Lyrics |
76.1 (2007), 127-128 |
DOI:10.2307/43632307 |
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MICHAEL J. FRANKLIN |
Poets at Play: Irony and Parody in the Harley Lyrics, by Daniel J. Ransom |
56.1 (1987), 128-130 |
DOI:10.2307/43629081 |
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PHILIP E. BENNETT |
The Song in the Story: Lyric Insertions in French Narrative Fiction, 1200-1400, by Maureen Boulton |
64.1 (1995), 134-135 |
DOI:10.2307/43629699 |
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John Scattergood |
'Many a Song and Many a Leccherous Lay': Tradition and Individuality in Chaucer's Lyric Poetry, Garland Studies in Medieval Literature 6, by Jay Ruud |
63.1 (1994), 135-136 |
DOI:10.2307/43629634 |
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C. Foligno |
The Transition from the late Latin Lyric to the medieval Love Poem, by Stephen Gaselee |
1.2 (1932), 141-141 |
DOI:10.2307/43625825 |
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PRISCILLA MARTIN |
Thomas C. Moser Jr, A Cosmos of Desire: The Medieval Latin Erotic Lyric in English Manuscripts |
75.1 (2006), 141-142 |
DOI:10.2307/43621040 |
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Julia Boffey |
Karin Boklund-Lagopolou, ‘I have a yong suster’: Popular Song and the Middle English Lyric |
72.1 (2003), 143-144 |
DOI:10.2307/43630662 |
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Linda M. Paterson |
Catherine Léglu, Between Sequence and 'Sirventes': Aspects of Parody in the Troubadour Lyric, Legenda/Research Monographs in French Studies 8 |
72.1 (2003), 148-149 |
DOI:10.2307/43630667 |
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Mike Routledge |
Luca Barbieri, Le liriche di Hugues de Berzé, Humanae litterae 5 |
72.1 (2003), 149-150 |
DOI:10.2307/43630668 |
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Th. Stemmler |
A Selection of Religious Lyrics. (Clarendon Medieval and Tudor Series), by Douglas Gray |
46.1 (1977), 153-155 |
DOI:10.2307/43621123 |
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RUTH E. HARVEY |
Elizabeth W. Poe, Compilatio: Lyric Texts and Prose Commentaries in Troubadour Manuscript H (Vat. Lat. 3207), Edward Armstrong Monographs on Medieval Literature 11 |
71.1 (2002), 153-154 |
DOI:10.2307/43630419 |
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Rosemary Woolf |
Mediæval English Lyrics, A Critical Anthology, by R. T. Davies |
34.2 (1965), 154-157 |
DOI:10.2307/43631218 |
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N.S. THOMPSON |
The Song of Troilus: Lyric Authority in the Medieval Book, by Thomas C. Stillinger |
63.1 (1994), 157-158 |
DOI:10.2307/43629652 |
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Sylvia Huot |
Catherine Attwood, Dynamic Dichotomy: The Poetic 'I' in Fourteenth- and Fifteenth-Century French Lyric Poetry, Faux Titre 149 |
69.1 (2000), 158-159 |
DOI:10.2307/43631528 |
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Almut Suerbaum |
Marisa Galvez. Songbook. How Lyrics Became Poetry in Medieval Europe |
87.1 (2018), 160- |
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J.H. Marshall |
Anthology of Troubadour Lyric Poetry. (Edinburgh Bilingual Library, 3), by Alan R. Press |
42.2 (1973), 162-163 |
DOI:10.2307/43627909 |
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ARDIS BUTTERFIELD |
From Song to Book: the Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry, by Sylvia Huot |
58.1 (1989), 165-166 |
DOI:10.2307/43632545 |
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Keith Busby |
Rewards and Punishments in the Arthurian Romances and Lyric Poetry of Medieval France: Essays presented to Kenneth varty on the Occasion of his Sixtieth birthday, Arthurian Studies, 17, by Peter V. Davies, Angus J. Kennedy |
58.1 (1989), 167-168 |
DOI:10.2307/43632547 |
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W.E. Collinson |
The Genius of the German Lyric. An Historic Survey of its Formal and Metaphysical Values, by A. Closs |
8.2 (1939), 171-172 |
DOI:10.2307/43626150 |
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Patrick Boyde |
Medieval Latin and the Rise of European Love-Lyric, vol. II, Medieval Latin Love-Poetry, by Peter Dronke |
36.2 (1967), 171-176 |
DOI:10.2307/43627347 |
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Joseph Szövérffy |
The Cruelest Month—Spring, Nature, and Love in Classical and Medieval Lyrics, by James J. Wilhelm |
36.2 (1967), 176-177 |
DOI:10.2307/43627348 |
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G. Aquilecchia |
Dante's Style in His Lyric Poetry, by Patrick Boyde |
42.2 (1973), 176-181 |
DOI:10.2307/43627915 |
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Helena M. Shire |
Ballattis of Luve: The Scottish Courtly Love Lyric 1400-1570, by John MacQueen |
41.2 (1972), 180-184 |
DOI:10.2307/43627830 |
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JEAN CHARLES PAYEN |
The Medieval Lyric, by Peter Dronke |
38.2 (1969), 193-195 |
DOI:10.2307/43627543 |
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Almut Suerbaum |
Judith Theben, Die mystische Lyrik des 14. und 15. Jahrhunderts. Untersuchungen – Texte – Repertorium |
87.1 (2018), 193- |
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Eugène Vinaver |
Early Mediaeval French Lyrics, by Claude Colleer Abbott |
3.3 (1934), 209-212 |
DOI:10.2307/43625917 |
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Stephen Gaselee |
Die religiöse Lyrik des Mittelalters, by Samuel Singer |
2.3 (1933), 243-245 |
DOI:10.2307/43625877 |
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L.T. Topsfield |
The Partisan Voice. A study of the political lyric in France and Germany, 1180-1230, by Karen W. Klein |
43.3 (1974), 278-281 |
DOI:10.2307/43628043 |
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Vincent Gillespie |
Preachers, Poets, and the Early English Lyric, by Siegfried Wenzel |
57.2 (1988), 300-301 |
DOI:10.2307/43629225 |
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Rachel Bromwich |
Medieval Irish Lyrics, by James Carney |
38.3 (1969), 304-305 |
DOI:10.2307/43627568 |
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ROBERT HASENFRATZ |
The Lyric Speakers of Old English Poetry, by Lois Bragg |
61.2 (1992), 308-309 |
DOI:10.2307/43629441 |
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RUTH E. HARVEY |
The Anglo-Norman Lyric: an Anthology, by David L. Jeffrey, Brian J. Levy |
60.2 (1991), 309-310 |
DOI:10.2307/43632588 |
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Sarah Kay |
The Troubadour Lyric: a Psychocritical Reading, by Rouben Cholakian |
60.2 (1991), 313-314 |
DOI:10.2307/43632592 |
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CECIL GRAYSON |
Dante's Lyric Poetry. Vol. I. Vol. II, by K. Foster, P. Boyde |
37.3 (1968), 314-320 |
DOI:10.2307/43627475 |
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Douglas Gray |
Image and Abstraction. Six Middle English Religious Lyrics. (Anglistica xviii), by William Elford Rogers |
44.3 (1975), 315-317 |
DOI:10.2307/43628154 |
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Douglas Gray |
A Descriptive Index of the English Lyrics in John Grimestone's Preaching Book. (Medium Ævum Monographs, New Series, II), by Edward Wilson |
44.3 (1975), 317-318 |
DOI:10.2307/43628155 |
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Helen Cooper |
Personae and Poiesis: The Poet and the Poem in Medieval Love Lyric, (De Proprietatibus Litterarum, Series Minor 17), by Próspero Saíz |
46.2 (1977), 321-323 |
DOI:10.2307/43628292 |
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Thomas Hinton |
Marisa Galvez, Songbook: How Lyrics Became Poetry in Medieval Europe |
82.2 (2013), 322- |
DOI:10.2307/43633018 |
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PETER T. RICKETTS |
The Lyrics of the Trouvères: A Research Guide (1970—1990), by Eglal Doss-Quinby |
65.2 (1996), 326-326 |
DOI:10.2307/43629880 |
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SIMON B. GAUNT |
Memory and Re-Creation in Troubadour Lyric, by Amelia E. Van Vleck |
61.2 (1992), 330-331 |
DOI:10.2307/43629460 |
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DAVID MAW |
Daniel E. O’Sullivan, Marian Devotion in Thirteenth-Century French Lyric |
76.2 (2007), 335-336 |
DOI:10.2307/43633200 |
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Spencer Pearce |
Transcription and Visual Poetics in the Early Italian Lyric, Garland Studies in Medieval Literature 7, by H. Wayne Storey |
64.2 (1995), 336-337 |
DOI:10.2307/43633134 |
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Leslie Seiffert |
The Medieval German Lyric 1150-1300: the Development of its Themes and Forms in their European Context, by Olive Sayce |
52.2 (1983), 339-341 |
DOI:10.2307/43628766 |
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Linda M. Paterson |
Trobairitz. Der Beitrag der Frau in der altokzitanischen höfischen Lyrik. Edition der Gesamtkorpus, Beihefte zur Zeitschrift für Romanische Philologie, 233, by Angelica Rieger |
62.2 (1993), 340-341 |
DOI:10.2307/43629587 |
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ROGER PENSOM |
Susan E. Bécam, Rhyme in Gace Brulé's Lyric: Formal and Semantic Interplay |
68.2 (1999), 340-342 |
DOI:10.2307/43630207 |
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Dennis Green |
Wege in die Schriftlichkeit: Untersuchungen und Materialien zur Überlieferung der mittelhochdeutschen Lyrik, Bibliotheca Germanica 32, by Franz-Josef Holznagel |
65.2 (1996), 341-343 |
DOI:10.2307/43629893 |
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SILVIA RANAWAKE |
Nicola Zotz, Intégration courtoise. Zur Rezeption okzitanischer und französischer Lyrik im klassischen deutschen Minnesang |
75.2 (2006), 345-346 |
DOI:10.2307/43632789 |
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DOROTHY S. SEVERIN |
Louise M. Haywood, The Lyrics of the 'Historia Troyana polimétrica', Papers of the Medieval Hispanic Research Seminar 3 |
67.2 (1998), 348-348 |
DOI:10.2307/43630049 |
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Nicolò Morelli |
Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue |
90.2 (2021), 362- |
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