NORMAN KLASSEN |
Suzanne Conklin Akbari, Seeing Through the Veil: Optical Theory and Medieval Allegory |
74.2 (2005), 333-334 |
DOI:10.2307/43632738
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Angus J. Kennedy |
Barbara K. Altmann and Carleton W. Carroll (eds), The Court Reconvenes: Courtly Literature across the Disciplines. Selected Papers from the Ninth Triennial Congress of the International Courtly Literature Society, University of British Columbia, 25—31 July 1998 |
74.2 (2005), 334-336 |
DOI:10.2307/43632739
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DIANE WATT |
Dyan Elliott, Proving Woman: Female Spirituality and Inquisitional Culture in the Later Middle Ages |
74.2 (2005), 336-337 |
DOI:10.2307/43632740
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DOMINIQUE GOY-BLANQUET |
Ann W. Astell, Joan of Arc and Sacrificial Authorship (Dominique Goy-Blanquet) |
74.2 (2005), 337-338 |
DOI:10.2307/43632741
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RICHARD E. ZEIKOWITZ |
William E. Burgwinkle, Sodomy, Masculinity, and Law in Medieval Literature: France and England, 1050-1230 |
74.2 (2005), 338-339 |
DOI:10.2307/43632742
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ROBIN DIX |
Bruce Thomas Boehrer, Parrot Culture: Our 2,500-Year-Long Fascination with the World's Most Talkative Bird
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74.2 (2005), 339-340 |
DOI:10.2307/43632743
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Elizabeth Solopova |
Seiichi Suzuki, The Metre of Old Saxon Poetry: The Remaking of Alliterative Tradition |
74.2 (2005), 341-342 |
DOI:10.2307/43632744
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HELEN BARR |
Anne M. Scott, Piers Plowman and the Poor |
74.2 (2005), 342-343 |
DOI:10.2307/43632745
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JOHN C. HIRSH |
David Aers, Sanctifying Signs: Making Christian Tradition in Late Medieval England |
74.2 (2005), 343-344 |
DOI:10.2307/43632746
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Robert F. Yeager |
Douglas Gray (ed.), The Oxford Companion to Chaucer |
74.2 (2005), 344-346 |
DOI:10.2307/43632747
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FIONA SOMERSET |
Joanna Summers, Late-Medieval Prison Writing and the Politics of Autobiography, Oxford English Monographs |
74.2 (2005), 347-348 |
DOI:10.2307/43632748
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ANTHONY P. BALE |
Siân Echard, A Companion to Gower |
74.2 (2005), 348-349 |
DOI:10.2307/43632749
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Daniel Wakelin |
Peter Happé, Cyclic Form and the English Mystery Plays: A Comparative Study of the English Biblical Cycles and their Continental and Iconographie Counterparts, Ludus: Medieval and Early Renaissance Theatre and Drama 7
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74.2 (2005), 349-350 |
DOI:10.2307/43632750
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KATHERINE L. JANSEN |
Theresa Coletti, Mary Magdalene and the Drama of the Saints: Theater, Gender, and Religion in Late Medieval England, The Middle Ages Series |
74.2 (2005), 350-352 |
DOI:10.2307/43632751
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Sophie Marnette |
Anna Chryssafis, La Création de mots savants dans le français médiéval: Étude sur un choix de textes de la fin du XIIIe et du début du XIVe siècles, notamment le 'Roman de la Rose' et la 'Consolation de Philosophie' par Jean de Meun, Foskningsrapporter/Cahiers de la recherche 20 |
74.2 (2005), 352-353 |
DOI:10.2307/43632752
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Leslie C. Brook |
Simon Gaunt, Retelling the Tale: An Introduction to Medieval French Literature |
74.2 (2005), 353-354 |
DOI:10.2307/43632753
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PETER DAMIAN-GRINT |
Catherine Hanley, War and Combat, 1150–1270: The Evidence from Old French Literature |
74.2 (2005), 354-355 |
DOI:10.2307/43632754
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ANNETTE VOLFING |
Kathryn Starkey, Reading the Medieval Book: Word, Image and Performance in Wolfram von Eschenbach's 'Willehalm', Poetics of Orality and Literacy |
74.2 (2005), 355-356 |
DOI:10.2307/43632755
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Stephen Mossman |
Antje Willing, Literatur und Ordensreform im 15. Jahrhundert. Deutsche Abendmahlsschriften im Nürnberger Katharinenkloster, Studien und Texte zum Mittelalter und zur frühen Neuzeit 4 |
74.2 (2005), 357-358 |
DOI:10.2307/43632756
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COLIN IMBER |
Nancy Bisaha, Creating East and West: Renaissance Humanists and the Ottoman Turks |
74.2 (2005), 358-359 |
DOI:10.2307/43632757
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