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The Idea of the Labyrinth from Classical Antiquity through the Middle Ages, by Penelope Reed Doob (C. DAVID BENSON) |
|
106-107 |
DOI:10.2307/
43632175 |
|
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The Book of Memory: a Study of Memory in Medieval Culture, Cambridge Studies in Medieval Literature, 10, by Mary J. Carruthers (ANNE HUDSON) |
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107-109 |
DOI:10.2307/
43632176 |
|
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Rhetoric, Hermeneutics, and Translation in the Middle Ages: Academic Traditions and Vernacular Texts, Cambridge Studies in Medieval Literature, 11, by Rita Copeland (SARAH KAY) |
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109-110 |
DOI:10.2307/
43632177 |
|
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Truth and Convention in the Middle Ages: Rhetoric, Representation, and Reality, by Ruth Morse (WINTHROP WETHERBEE) |
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110-112 |
DOI:10.2307/
43632178 |
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Saint Anselm: a Portrait in a Landscape, by R. W. Southern (LESLEY SMITH) |
|
112-113 |
DOI:10.2307/
43632179 |
|
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Filosofia della natura nella schola salernitana del secolo XII (Bologna: Cooperativa Libraria Universitaria Editrice, 1990), by P. Morpurgo (CHARLES BURNETT) |
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113-114 |
DOI:10.2307/
43632180 |
|
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The Vision of Tnugdal, by Jean-Michel Picard, Yolande de Pontfarcy (NIGEL F. PALMER) |
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114-115 |
DOI:10.2307/
43632181 |
|
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A Guide to Ogam, Maynooth Monographs, 4 (Maynooth: An Sagart, 1991), by Damian McManus (ERICH POPPE) |
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115-116 |
DOI:10.2307/
43632182 |
|
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Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival, Cambridge Studies in Anglo-Saxon England, 1, by Barbara Raw (ÉAMONN Ó CARRAGÁIN) |
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116-117 |
DOI:10.2307/
43632183 |
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Visible Song: Transitional Literacy in Old English Verse, Cambridge Studies in Anglo-Saxon England, 4, by Katherine O'Brien O'Keeffe (JANE STEVENSON) |
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117-118 |
DOI:10.2307/
43632184 |
|
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Desire for Origins: New Language, Old English, and Teaching the Tradition, by Allen J. Frantzen (MARK GRIFFITH) |
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118-119 |
DOI:10.2307/
43632185 |
|
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Wynnere and Wastoure, Early English Text Society, Original Series, 297, by Stephanie Trigg (HELEN BARR) |
|
119-120 |
DOI:10.2307/
43632186 |
|
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The Making of 'Piers Plowman', by Malcolm Godden (BARRY WINDEATT) |
|
120-121 |
DOI:10.2307/
43632187 |
|
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Imitating God: the Allegory of Faith in 'Piers Plowman' B, by Pamela Raabe (JAMES SIMPSON) |
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121-123 |
DOI:10.2307/
43632188 |
|
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John Gower's Poetic: the Search for a New Arion, by R. F. Yeager (CHARLES RUNACRES) |
|
123-124 |
DOI:10.2307/
43632190 |
|
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The Latin Versions of 'The Cloud of Unknowing', Vol. 1: 'Nubes Ignorandi': MS. Bodley 856, (Salzburg: Institüt fur Anglistik und Amerikanistik, Universität Salzburg, 1989), by John Clark (BARRY WINDEATT) |
|
123 |
DOI:10.2307/
43632189 |
|
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The Dream of Chaucer: Representation and Reflection in the Early Narratives, by Robert R. Edwards (SARAH McNAMER) |
|
125-126 |
DOI:10.2307/
43632191 |
|
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Chaucerian Belief: the Poetics of Reverence and Delight, by John M. Hill (DAVID AERS) |
|
126-128 |
DOI:10.2307/
43632192 |
|
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Truth and Textuality in Chaucer's Poetry, by Lisa J. Kiser, Lisa S. Kiser (DAVID AERS) |
|
126-128 |
DOI:10.2307/
43632192 |
|
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Chaucer's 'Troilus and Criseyde', by C. David Benson (GERALD MORGAN) |
|
128-129 |
DOI:10.2307/
43632193 |
|
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Chaucer's General Prologue to the 'Canterbury Tales': an Annotated Bibliography 1900 to 1982, by Caroline D. Eckhardt (DAVID WALLACE) |
|
129-130 |
DOI:10.2307/
43632194 |
|
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Chaucer's Knight's Tale and Theories of Scholastic Psychology, by Lois Roney (ALCUIN BLAMIRES) |
|
130 |
DOI:10.2307/
43632195 |
|
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Chaucer Traditions: Studies in Honour of Derek Brewer, by Ruth Morse, Barry Windeatt (Bernard O'DONOGHUE) |
|
131-132 |
DOI:10.2307/
43632196 |
|
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Enacting the Sacrament: Counter-Lollardy in the Towneley Cycle, by Lauren Lepow (DAVID MILLS) |
|
132-133 |
DOI:10.2307/
43632197 |
|
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Religion in the Poetry and Drama of the Late Middle Ages in England, by Piero Boitani, Anna Torti (JONATHAN HUGHES) |
|
133-134 |
DOI:10.2307/
43632198 |
|
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'The Sex Werkdays and Agis': an Edition of a Late Medieval Scots Universal History from the Asloan Manuscript, Mediaevalia Groningana, 10, by L. A. J. R. Houwen (J. A. BURROW) |
|
134-135 |
DOI:10.2307/
43632199 |
|
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Johannes de Irlandia: 'The Meroure of Wyssdome', Books VI and VII, Scottish Text Society, 4th ser., 19, by Craig McDonald (SALLY MAPSTONE) |
|
135-136 |
DOI:10.2307/
43632200 |
|
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A Concordance to Caxton's Own Prose, by Kiyokazu Mizobata (N. F. BLAKE) |
|
136-137 |
DOI:10.2307/
43632201 |
|
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'De Regimine Principum' (1509), American University Studies, 17, by Stephen Baron, P. J. Mroczkowski (JAMES McCONICA) |
|
137-138 |
DOI:10.2307/
43632202 |
|
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Razos and Troubadour Songs, Garland Library of Medieval Literature, Series B, 71, by William E. Burgwinkle (SIMON B. GAUNT) |
|
138-139 |
DOI:10.2307/
43632203 |
|
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Subjectivity in Troubadour Poetry, Cambridge Studies in French, by Sarah Kay (J. H. MARSHALL) |
|
139-141 |
DOI:10.2307/
43632204 |
|
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Aliscans, Vol. I, Classiques français du moyen âge, 110, by Claude Régnier (W. G. VAN EMDEN) |
|
141-142 |
DOI:10.2307/
43632205 |
|
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The Arthurian Romances of Chrétien de Troyes: Once and Future Fictions, Cambridge Studies in Medieval Literature, 12, by Donald Maddox (SARAH KAY) |
|
142-143 |
DOI:10.2307/
43632206 |
|
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‘Le Lai de l'Oiselet’: an Old French Poem of the Thirteenth Century. Edition and Critical Study, Transactions of the American Philosophical Society, 80:5, by Lenora D. Wolfgang (LESLIE C. BROOK) |
|
143-144 |
DOI:10.2307/
43632207 |
|
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La Fauconnerie dans les lettres françaises du XIIe au XIVe siècle, Mediaevalia Lovaniensia, ser. 1, 18, by Baudouin van den Abeele (BRIAN J. LEVY) |
|
144-146 |
DOI:10.2307/
43632208 |
|
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The Romance of Merlin: an Anthology, by Peter Goodrich (CORINNE J. SAUNDERS) |
|
146-147 |
DOI:10.2307/
43632209 |
|
|
The Myths of Love: Classical Lovers in Medieval Literature, by Katherine Heinrichs (ARDIS BUTTERFIELD) |
|
147-148 |
DOI:10.2307/
43632210 |
|
|
Charles d'Orléans: an Analytical Bibliography, Research Bibliographies and Checklists, 49, by Deborah Hubbard Nelson (JOHN FOX) |
|
148-149 |
DOI:10.2307/
43632211 |
|
|
François Villon: a Bibliography, Garland Medieval Bibliographies, 3, by Robert D. Peckham (TIMOTHY HOBBS) |
|
149-151 |
DOI:10.2307/
43632212 |
|
|
Nicolas de La Chesnaye: ‘La Condamnation de Banquet’, Textes littéraires français, 395, by Jelle Koopmans, Paul Verhuyck (JOAN CROW) |
|
151-152 |
DOI:10.2307/
43632213 |
|
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Lectura Dantis Newberryana II, by Paolo Cherchi, Antonio C. Mastrobuono (JONATHAN USHER) |
|
152-153 |
DOI:10.2307/
43632214 |
|
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The Shades of Aeneas: the Imitation of Virgil and the History of Paganism in Boccaccio's 'Filostrato', 'Filocolo' and 'Teseida', by James H. McGregor (DAVID ANDERSON) |
|
153-154 |
DOI:10.2307/
43632215 |
|
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Die Schweizer Minnesänger. Neubearbeitung der Ausgabe von K. Bartsch, by M. Schiendorfer (SILVIA RANAWAKE) |
|
155-156 |
DOI:10.2307/
43632216 |
|
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The Pregnant Man, 4th edn, by R. Zapperi, B. Williams (MIRI RUBIN) |
|
156-157 |
DOI:10.2307/
43632217 |
|
|
The Gothic Idol: Ideology and Image-Making in Medieval Art, by Michael Camille (SYLVIA WRIGHT) |
|
157-158 |
DOI:10.2307/
43632218 |
|
|
Hugh the Chanter: the History of the Church of York 1099-1127, by Charles Johnson, M. Brett, C. N. L. Brooke, M. Winterbottom (JUDITH GREEN) |
|
158-159 |
DOI:10.2307/
43632219 |
|
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The Angevin Legacy and the Hundred Years War, by Malcolm Vale (ANNE E. CURRY) |
|
159-160 |
DOI:10.2307/
43632220 |
|
|
Listening for the Text: On the Uses of the Past, Parallax: Re-Visions of Culture and Society, by Brian Stock, Stephen G. Nichols (JOHN C. HIRSH) |
|
160-161 |
DOI:10.2307/
43632221 |
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