CONTENTS OF MEDIUM ÆVUM 61.1 (1992)
Society members may access all contents from 2011 (MÆ 80.1) onwards directly via this website; just click on the icon and (if requested) give your log-in details. All contents from 1929 (Arthuriana 1) to 2011 (MÆ 80.2) are also available to view via JSTOR, and may be accessed by clicking on the link. Currently you will need a separate institutional or personal JSTOR subscription. Free access via JSTOR for all Society members coming soon!| Front Matter | [no p.] |
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| Back Matter | [no p.] |
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| PETER J. LUCAS, EASTER, THE DEATH OF ST GUTHLAC AND THE LITURGY FOR HOLY SATURDAY IN FELIX'S "VITA" AND THE OLD ENGLISH "GUTHLAC" B | 1-16 |
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| GRACE M. ARMSTRONG, RESCUING THE LION: FROM "LE CHEVALIER AU LION" TO "LA QUESTE DEL SAINT GRAAL" | 17-34 |
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| PETER R. GRILLO, THE 'FIN DE ROBERT DE NORMANDIE' EPISODE IN LONDON, BRITISH LIBRARY, MS ADD. 36615 | 35-47 |
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| LUCINDA RUMSEY, THE SCORPION OF LECHERY AND "ANCRENE WISSE" | 48-58 |
DOI:10.2307/ 43632168 |
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| SUSAN CRANE, FROISSART'S "DIT DOU BLEU CHEVALIER" AS A SOURCE FOR CHAUCER'S "BOOK OF THE DUCHESS" | 59-74 |
DOI:10.2307/ 43632169 |
| THOMAS D. HILL, DELIVERING THE DAMNED IN OLD ENGLISH ANONYMOUS HOMILIES AND JÓN ARASON'S "LJÓMUR" | 75-82 |
DOI:10.2307/ 43632170 |
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| ELAINE E. WHITAKER, SOISSONS MS 221: AN ACEPHALOUS "SOMME LE ROI/MIROIR DU MONDE" CONTAINING TWO UNRECORDED ILLUSTRATIONS | 83-87 |
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| JOHN SCATTERGOOD, ALAIN DE LILLE AND THE PROLOGUE TO "PATIENCE" | 87-92 |
DOI:10.2307/ 43632172 |
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| COLIN WILCOCKSON, A NOTE ON CHAUCER'S PRIORESS AND HER LITERARY KINSHIP WITH THE WIFE OF BATH | 92-96 |
DOI:10.2307/ 43632173 |
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| ALAN J. FLETCHER, THE FAITH OF A SIMPLE MAN: CARPENTER JOHN'S CREED IN THE MILLER'S TALE | 96-105 |
DOI:10.2307/ 43632174 |
| The Idea of the Labyrinth from Classical Antiquity through the Middle Ages, by Penelope Reed Doob (C. DAVID BENSON) | 106-107 |
DOI:10.2307/ 43632175 |
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| The Book of Memory: a Study of Memory in Medieval Culture, Cambridge Studies in Medieval Literature, 10, by Mary J. Carruthers (ANNE HUDSON) | 107-109 |
DOI:10.2307/ 43632176 |
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| Rhetoric, Hermeneutics, and Translation in the Middle Ages: Academic Traditions and Vernacular Texts, Cambridge Studies in Medieval Literature, 11, by Rita Copeland (SARAH KAY) | 109-110 |
DOI:10.2307/ 43632177 |
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| Truth and Convention in the Middle Ages: Rhetoric, Representation, and Reality, by Ruth Morse (WINTHROP WETHERBEE) | 110-112 |
DOI:10.2307/ 43632178 |
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| Saint Anselm: a Portrait in a Landscape, by R. W. Southern (LESLEY SMITH) | 112-113 |
DOI:10.2307/ 43632179 |
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| Filosofia della natura nella schola salernitana del secolo XII (Bologna: Cooperativa Libraria Universitaria Editrice, 1990), by P. Morpurgo (CHARLES BURNETT) | 113-114 |
DOI:10.2307/ 43632180 |
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| The Vision of Tnugdal, by Jean-Michel Picard, Yolande de Pontfarcy (NIGEL F. PALMER) | 114-115 |
DOI:10.2307/ 43632181 |
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| A Guide to Ogam, Maynooth Monographs, 4 (Maynooth: An Sagart, 1991), by Damian McManus (ERICH POPPE) | 115-116 |
DOI:10.2307/ 43632182 |
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| Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival, Cambridge Studies in Anglo-Saxon England, 1, by Barbara Raw (ÉAMONN Ó CARRAGÁIN) | 116-117 |
DOI:10.2307/ 43632183 |
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| Visible Song: Transitional Literacy in Old English Verse, Cambridge Studies in Anglo-Saxon England, 4, by Katherine O'Brien O'Keeffe (JANE STEVENSON) | 117-118 |
DOI:10.2307/ 43632184 |
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| Desire for Origins: New Language, Old English, and Teaching the Tradition, by Allen J. Frantzen (MARK GRIFFITH) | 118-119 |
DOI:10.2307/ 43632185 |
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| Wynnere and Wastoure, Early English Text Society, Original Series, 297, by Stephanie Trigg (HELEN BARR) | 119-120 |
DOI:10.2307/ 43632186 |
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| The Making of 'Piers Plowman', by Malcolm Godden (BARRY WINDEATT) | 120-121 |
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| Imitating God: the Allegory of Faith in 'Piers Plowman' B, by Pamela Raabe (JAMES SIMPSON) | 121-123 |
DOI:10.2307/ 43632188 |
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| John Gower's Poetic: the Search for a New Arion, by R. F. Yeager (CHARLES RUNACRES) | 123-124 |
DOI:10.2307/ 43632190 |
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| The Latin Versions of 'The Cloud of Unknowing', Vol. 1: 'Nubes Ignorandi': MS. Bodley 856, (Salzburg: Institüt fur Anglistik und Amerikanistik, Universität Salzburg, 1989), by John Clark (BARRY WINDEATT) | 123 |
DOI:10.2307/ 43632189 |
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| The Dream of Chaucer: Representation and Reflection in the Early Narratives, by Robert R. Edwards (SARAH McNAMER) | 125-126 |
DOI:10.2307/ 43632191 |
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| Chaucerian Belief: the Poetics of Reverence and Delight, by John M. Hill (DAVID AERS) | 126-128 |
DOI:10.2307/ 43632192 |
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| Truth and Textuality in Chaucer's Poetry, by Lisa J. Kiser, Lisa S. Kiser (DAVID AERS) | 126-128 |
DOI:10.2307/ 43632192 |
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| Chaucer's 'Troilus and Criseyde', by C. David Benson (GERALD MORGAN) | 128-129 |
DOI:10.2307/ 43632193 |
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| Chaucer's General Prologue to the 'Canterbury Tales': an Annotated Bibliography 1900 to 1982, by Caroline D. Eckhardt (DAVID WALLACE) | 129-130 |
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| Chaucer's Knight's Tale and Theories of Scholastic Psychology, by Lois Roney (ALCUIN BLAMIRES) | 130 |
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| Chaucer Traditions: Studies in Honour of Derek Brewer, by Ruth Morse, Barry Windeatt (Bernard O'DONOGHUE) | 131-132 |
DOI:10.2307/ 43632196 |
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| Enacting the Sacrament: Counter-Lollardy in the Towneley Cycle, by Lauren Lepow (DAVID MILLS) | 132-133 |
DOI:10.2307/ 43632197 |
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| Religion in the Poetry and Drama of the Late Middle Ages in England, by Piero Boitani, Anna Torti (JONATHAN HUGHES) | 133-134 |
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| 'The Sex Werkdays and Agis': an Edition of a Late Medieval Scots Universal History from the Asloan Manuscript, Mediaevalia Groningana, 10, by L. A. J. R. Houwen (J. A. BURROW) | 134-135 |
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| Johannes de Irlandia: 'The Meroure of Wyssdome', Books VI and VII, Scottish Text Society, 4th ser., 19, by Craig McDonald (SALLY MAPSTONE) | 135-136 |
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| A Concordance to Caxton's Own Prose, by Kiyokazu Mizobata (N. F. BLAKE) | 136-137 |
DOI:10.2307/ 43632201 |
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| 'De Regimine Principum' (1509), American University Studies, 17, by Stephen Baron, P. J. Mroczkowski (JAMES McCONICA) | 137-138 |
DOI:10.2307/ 43632202 |
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| Razos and Troubadour Songs, Garland Library of Medieval Literature, Series B, 71, by William E. Burgwinkle (SIMON B. GAUNT) | 138-139 |
DOI:10.2307/ 43632203 |
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| Subjectivity in Troubadour Poetry, Cambridge Studies in French, by Sarah Kay (J. H. MARSHALL) | 139-141 |
DOI:10.2307/ 43632204 |
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| Aliscans, Vol. I, Classiques français du moyen âge, 110, by Claude Régnier (W. G. VAN EMDEN) | 141-142 |
DOI:10.2307/ 43632205 |
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| The Arthurian Romances of Chrétien de Troyes: Once and Future Fictions, Cambridge Studies in Medieval Literature, 12, by Donald Maddox (SARAH KAY) | 142-143 |
DOI:10.2307/ 43632206 |
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| ‘Le Lai de l'Oiselet’: an Old French Poem of the Thirteenth Century. Edition and Critical Study, Transactions of the American Philosophical Society, 80:5, by Lenora D. Wolfgang (LESLIE C. BROOK) | 143-144 |
DOI:10.2307/ 43632207 |
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| La Fauconnerie dans les lettres françaises du XIIe au XIVe siècle, Mediaevalia Lovaniensia, ser. 1, 18, by Baudouin van den Abeele (BRIAN J. LEVY) | 144-146 |
DOI:10.2307/ 43632208 |
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| The Romance of Merlin: an Anthology, by Peter Goodrich (CORINNE J. SAUNDERS) | 146-147 |
DOI:10.2307/ 43632209 |
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| The Myths of Love: Classical Lovers in Medieval Literature, by Katherine Heinrichs (ARDIS BUTTERFIELD) | 147-148 |
DOI:10.2307/ 43632210 |
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| Charles d'Orléans: an Analytical Bibliography, Research Bibliographies and Checklists, 49, by Deborah Hubbard Nelson (JOHN FOX) | 148-149 |
DOI:10.2307/ 43632211 |
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| François Villon: a Bibliography, Garland Medieval Bibliographies, 3, by Robert D. Peckham (TIMOTHY HOBBS) | 149-151 |
DOI:10.2307/ 43632212 |
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| Nicolas de La Chesnaye: ‘La Condamnation de Banquet’, Textes littéraires français, 395, by Jelle Koopmans, Paul Verhuyck (JOAN CROW) | 151-152 |
DOI:10.2307/ 43632213 |
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| Lectura Dantis Newberryana II, by Paolo Cherchi, Antonio C. Mastrobuono (JONATHAN USHER) | 152-153 |
DOI:10.2307/ 43632214 |
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| The Shades of Aeneas: the Imitation of Virgil and the History of Paganism in Boccaccio's 'Filostrato', 'Filocolo' and 'Teseida', by James H. McGregor (DAVID ANDERSON) | 153-154 |
DOI:10.2307/ 43632215 |
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| Die Schweizer Minnesänger. Neubearbeitung der Ausgabe von K. Bartsch, by M. Schiendorfer (SILVIA RANAWAKE) | 155-156 |
DOI:10.2307/ 43632216 |
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| The Pregnant Man, 4th edn, by R. Zapperi, B. Williams (MIRI RUBIN) | 156-157 |
DOI:10.2307/ 43632217 |
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| The Gothic Idol: Ideology and Image-Making in Medieval Art, by Michael Camille (SYLVIA WRIGHT) | 157-158 |
DOI:10.2307/ 43632218 |
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| Hugh the Chanter: the History of the Church of York 1099-1127, by Charles Johnson, M. Brett, C. N. L. Brooke, M. Winterbottom (JUDITH GREEN) | 158-159 |
DOI:10.2307/ 43632219 |
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| The Angevin Legacy and the Hundred Years War, by Malcolm Vale (ANNE E. CURRY) | 159-160 |
DOI:10.2307/ 43632220 |
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| Listening for the Text: On the Uses of the Past, Parallax: Re-Visions of Culture and Society, by Brian Stock, Stephen G. Nichols (JOHN C. HIRSH) | 160-161 |
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| SHORTER NOTICES | 161-188 |
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